This visual essay reflexively explores experimental photographic research methods. Using cyanotypes, beer can cameras, maps, and exhibitions to make physical spaces and surfaces occupied by photography tangible, I show how these methods work with traditional anthropological approaches to orient us to how local place is represented, and how this visual critique connects with the ways landscape is experienced in contrast to historical national discourses. These methods were aimed at having a better understanding of local experiences and understandings of Northern landscapes in rural Sweden.