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Polyphonic Overtone Singing: an acoustic and physiological (MRI) analysis and a first-person description of aunique mode of singing
http://www.anna-maria-hefele.com.
Linköping University, Department of Culture and Communication, Language and Literature. Linköping University, Faculty of Arts and Sciences.ORCID iD: 0000-0003-3734-0757
Karolinska Institutet, Sweden.ORCID iD: 0000-0003-2208-0630
2019 (English)In: Proceedings from Fonetik 2019 / [ed] Mattias Heldner, 2019Conference paper, Published paper (Other academic)
Abstract [en]

This paper describes a unique singing mode, tentatively labeled “polyphonic overtone singing”. In overtone singingthe vocal harmonics of a stabile fundamental frequency are filtered by the singer in such a way that specific upper harmonics are amplified, and heard clearly, as a second musical voice. In the “throat singing” of Tuva (Mongolia) moving overtones usually occur over astable drone. In polyphonic overtone singing not only the pitch of the overtonesare changed and moving, but also the fundamental which results in two-voice singing.

Place, publisher, year, edition, pages
2019.
Series
PERILUS, ISSN 0282-6690 ; XXVII
National Category
General Language Studies and Linguistics
Identifiers
URN: urn:nbn:se:liu:diva-158448DOI: 10.5281/zenodo.3246011ISBN: 978-91-7797-984-5 (print)ISBN: 978-91-7797-985-2 (electronic)OAI: oai:DiVA.org:liu-158448DiVA, id: diva2:1333159
Conference
Fonetik 2019, 10–12 June 2019, Stockholm, Sweden
Available from: 2019-06-30 Created: 2019-06-30 Last updated: 2019-08-30Bibliographically approved

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Eklund, Robert

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Citation style
  • apa
  • harvard1
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  • modern-language-association-8th-edition
  • vancouver
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  • Other style
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Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf