In twenty chapters this book demonstrates how images enable, prevent, or distort knowledge of migration. Editors Krista Lynes, Tyler Morgenstern, and Ian Alan Paul explain that the expression “moving images” refers to four interwoven themes: (1) the ability of visual technologies to capture movement; (2) the iconography of the images, or their representation of migratory movement and mobility; (3) the movement in an of the image itself as it circulates through monitoring infrastructures, data bases, social media, tv, and other networks, each with its own method of selecting and cropping images of migration; and (4) the power of images to elicit human passions, or to move the viewer, often with profound political consequences. By combining these four interpretive dimensions, the anthology demonstrates that over the past decade images have been operationalized in a process that have made human mobility across the EU’s southern borders appear as a full-blown crisis. Moving Images exemplifies the great and growing relevance of visual migration studies.