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From Irony to Narrative Crisis: Reconsidering the Femme Fatale in the Films of David Lynch
Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
2012 (English)In: Cinema Journal, ISSN 0009-7101, E-ISSN 1527-2087, Vol. 52, no 1, 25-44 p.Article in journal (Refereed) Published
Abstract [en]

This article argues that the figure of the femme fatale, associated by feminist film critics with the epistemological drive of causal and patriarchal narrative, attains a progressive potential when portrayed through the complex narrative temporalities of David Lynchs Blue Velvet, Lost Highway, and Mulholland Drive.

Place, publisher, year, edition, pages
University of Texas Press: Cinema Journal , 2012. Vol. 52, no 1, 25-44 p.
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Medical and Health Sciences
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URN: urn:nbn:se:liu:diva-86663ISI: 000311193700002OAI: oai:DiVA.org:liu-86663DiVA: diva2:580079
Available from: 2012-12-20 Created: 2012-12-20 Last updated: 2017-12-06

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Beckman, Frida

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