liu.seSearch for publications in DiVA
Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • oxford
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Copyright Culture and Pirate Politics
Linköping University, Department for Studies of Social Change and Culture, Department of Culture Studies. Linköping University, Faculty of Arts and Sciences.ORCID iD: 0000-0003-3309-3840
2014 (English)In: Cultural Studies, ISSN 0950-2386, E-ISSN 1466-4348, Vol. 28, no 5-6, 1022-1047 p.Article in journal (Refereed) Published
Abstract [en]

This article approaches the recent debates about copyright and piracy from a cultural and historical perspective, discussing how problems surrounding intellectual property rights (IPR) reflect cultural conflicts that are central to cultural studies. It sets out with a study of how international copyright norms developed in nineteenth-century Europe were implemented in two different national contexts: Sweden and the USA. This historical background shows how copyright has been embedded in the cultural history of Europe and intertwined with the idea of an evolving Western civilization. The examples from the past are thus used to highlight the underlying cultural implications that affect the contemporary discussions. Particular interest is paid to how the historical association between the spread of copyright and the development of civilization affects the understanding of Asian piracy and Western file sharing today, and how a multitude of social movements both in the West and the Third World simultaneously challenge the cultural legitimacy of the current system of IPR. Eventually this is also taken as an example of how law and culture intersect and how the broad, interdisciplinary field of copyright studies that has emerged over the last decade can be seen as an extension of the cultural studies tradition.

Place, publisher, year, edition, pages
Routledge, 2014. Vol. 28, no 5-6, 1022-1047 p.
Keyword [en]
copyright, intellectual property, piracy, colonialism, postcolonialism, cultural studies
National Category
Cultural Studies
Identifiers
URN: urn:nbn:se:liu:diva-105269DOI: 10.1080/09502386.2014.886483ISI: 000341637600010OAI: oai:DiVA.org:liu-105269DiVA: diva2:705151
Available from: 2014-03-14 Created: 2014-03-14 Last updated: 2017-12-05

Open Access in DiVA

fulltext(506 kB)81 downloads
File information
File name FULLTEXT01.pdfFile size 506 kBChecksum SHA-512
5681a670ccb38453a073e4f088c00c5194d528f58425d6d304d25fb804ef86e91b1cd7df70e011e306037a11648dcd5e9b72737cc8750116ce23f421547a6069
Type fulltextMimetype application/pdf

Other links

Publisher's full text

Authority records BETA

Fredriksson, Martin

Search in DiVA

By author/editor
Fredriksson, Martin
By organisation
Department of Culture StudiesFaculty of Arts and Sciences
In the same journal
Cultural Studies
Cultural Studies

Search outside of DiVA

GoogleGoogle Scholar
Total: 81 downloads
The number of downloads is the sum of all downloads of full texts. It may include eg previous versions that are now no longer available

doi
urn-nbn

Altmetric score

doi
urn-nbn
Total: 122 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • oxford
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf