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  • 1.
    Altayyar, Amjad
    Linköping University, Faculty of Educational Sciences. Linköping University, Department of Behavioural Sciences and Learning, Education, Teaching and Learning.
    Bildämnets betydelse i grundskolan för nyanlända elever2019Independent thesis Basic level (professional degree), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Det händer ofta att lärarna möter nyanlända elever i sina klassrum och uppmärksammar att de eleverna har annorlunda syn på skolämnen än eleverna som har växt upp i Sverige. På grund av detta valdes denna studie som har behandlat ett problem som kan uppstå när bildlärare möter nyanlända elever. Syftet med den har varit att belysa nyanlända elevers förkunskaper i bildämnet och få en tydlig förståelse om hur de uppfattar ämnet bild. På detta vis kom forskningsfrågan:

    Vad har nyanlända elever för bildkunskap, och kan detta mätas genom att fråga eleverna hur bildundervisningen såg ut i deras respektive länder?

    I undersökningen har kvalitativa intervjuer använts som metod för att förstå vad forskningsdeltagare tycker och anser. Materialet som behandlas består av inspelade intervjuer med 7 elever som går på introduktionsprogram i Sverige. Undersökningen har visat att intresset för ämnet bild som skolämne i elevernas länder beror mycket på vilka skolor de har gått på eller vilka lärare de har haft.

    Download full text (pdf)
    Bildämnets betydelse i grundskolan för nyanlända elever
  • 2.
    Armada Moreira, Adam
    et al.
    Linköping University, Department of Science and Technology, Laboratory of Organic Electronics. Linköping University, Faculty of Science & Engineering.
    Bisesi, Ave
    Univ Minnesota, MN 55455 USA.
    Transgender Day of Visibility 2022: an interview with Adam Armada-Moreira and Ave Bisesi on trans experiences in STEM2022In: Communications Biology, E-ISSN 2399-3642, Vol. 5, no 1, article id 288Article in journal (Other academic)
    Abstract [en]

    This year at Communications Biology, we wanted to celebrate Transgender Day of Visibility by highlighting researchers at multiple career stages. In this Q&A, we asked early-career biologists about their own achievements, academic experiences, and how STEM can better support trans researchers.

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    fulltext
  • 3.
    Berger, Erich
    et al.
    Bioart Society.
    Keski-Korsu, Mari
    Aalto University.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies.
    Thastum, Line
    ISOP/The Independent AIR.
    Editorial: State of the Art2023In: State of the Art: Elements for Critical Thinking and Doing / [ed] Erich Berger, Mari Keski-Korsu, Marietta Radomska, Line Thastum, Helsinki: Bioart Society , 2023, p. 8-17Chapter in book (Other academic)
  • 4.
    Berger, Erich
    et al.
    Bioart Society.
    Keski-Korsu, MariAalto University, Finland.Radomska, MariettaLinköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.Thastum, LineISOP/The Independent AIR.
    State of the Art: Elements for Critical Thinking and Doing2023Collection (editor) (Other academic)
    Abstract [en]

    How to participate proactively in a process of change and transformation, to shape our path within an uncertain future? With this publication, the State Of The Art Network marks a waypost on a journey which started in 2018, when like-minded Nordic and Baltic art organisations and professionals initiated this network as a multidisciplinary collaboration facing the Anthropocene. Over five years, ten organisations and around 80 practitioners from different disciplines, like the arts, natural sciences and humanities came together, online and in person, for workshops, seminars and discussions. The aim was to find ways to create resilience and concrete actions on how to live through the change in culture, economy and the environment and to find concrete, hands-on methods to deal with the Anthropocene and the environmental crisis. As an outcome of this process, this publication takes a closer look at how we as practising artists, researchers and cultural actors can create elements for critical thinking and doing which can assist us in navigating the complexities of the present.

  • 5.
    Berglind, Anna
    Linköping University, Department for Studies of Social Change and Culture, Culture, Society and Media Production - KSM. Linköping University, Faculty of Arts and Sciences.
    Economou, Konstantin (Contributor)
    Linköping University, Department for Studies of Social Change and Culture, Culture, Society and Media Production - KSM. Linköping University, Faculty of Arts and Sciences.
    Winther, Marianne (Contributor)
    Linköping University, Faculty of Arts and Sciences. Linköping University, Department for Studies of Social Change and Culture, Culture, Society and Media Production - KSM.
    Månsson, Erik (Cover designer)
    Mörkrets geografi2016Book (Other academic)
    Abstract [sv]

    Boken Mörkrets Geografi utgår från en serie performativa verk av Anna Berglind vilka rör sig i spänningsfältet mellan ljus och mörker - plats, minne och glömska. Det rika bildmaterialet från glömda platser; ett gathörn, ett tunnelsystem under jord eller ett övergivet och förfallet mentalsjukhus skapar tillsammans med texterna ett prisma av reflektioner kring konst, konceptualisering och lärandeprocesser. Reflektioner kring hur man genom performativitet och social interaktion kan öppna upp för nya publika möten utanför de traditionella konstarenorna. 

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    presentationsbild
  • 6.
    Bolt Rasmussen, Mikkel
    et al.
    University of Copenhagen, Denmark.
    Jonsson, Stefan
    Linköping University, Department of Culture and Society, Division of Migration, Ethnicity and Society (REMESO). Linköping University, Faculty of Arts and Sciences. Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society.
    Protestens billeder: Forord2023In: K & K: kultur og klasse : kritik og kulturanalyse, ISSN 0905-6998, E-ISSN 2246-2589, Vol. 51, no 134-135, p. 3-14Article in journal (Refereed)
    Abstract [en]

    Prefatory article that introduces the themes, topics and articles of this special issue on the images of protest.

  • 7. Order onlineBuy this publication >>
    Christensen, Jeffrey A.
    Linköping University, Department of Thematic Studies, Technology and Social Change. Linköping University, Faculty of Arts and Sciences.
    Governing the manifold subject: a praxiography of Swedish HIV treatment2020Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This thesis investigates a multiplicity of ways in which the subject of Swedish HIV treatment is enacted. Drawing on my own experiences of living with HIV in Sweden, the thesis articulates a concern with reflexive, performative, and normative dimensions of contemporary governing assemblages, research practices, and medical interventions. In other words, the thesis investigates the situated effects of governing the subject of Swedish HIV treatment by sketching out an empirical description of what I call the manifold subject. Investigating the various ‘goods’ that are entangled with this manifold subject, the thesis aims to constructively interfere with contemporary HIV governance by highlighting the manifold ways in which subjects are enacted in practices of HIV biopolitics. Contrary to discourses that attribute a shared responsibility for HIV/AIDS in the past and those that call for individual accountability in the future, I argue for the cultivation of better ways to understand and handle the multiple constitution of accountability in the present. Following the subject of HIV technoscience through legal, diagnostic, surveillance, and treatment practices, this praxiography analyses the motives, materials, and methods involved in slowing down the fast-track assemblage.

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  • 8.
    Corbett, Karron
    Linköping University, Department of Thematic Studies, The Department of Gender Studies.
    Performance Art and Agential Realism: Producing Material-Discursive Knowledge about Class and the Body.2021Independent thesis Advanced level (degree of Master (Two Years)), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Using new materialist approaches to intersectional theories of gender/sex –particularly Karen Barad’s ethico-onto-epistemological framework, agential realism– this thesis examines how knowledge about class is produced, through feminist performance art practices. Through this lens I will examine how two pieces of performance art by U.K. based artists, Sophie Lisa Beresford and Catherine Hoffmann, can express novel ways in which class is not simply a system acting upon bodies, but inextricably entwined with, and produced through, bodily matter. Furthermore, this essay discusses the ways in which performance art is uniquely positioned to examine this intra-action between discourse and matter; providing a way to bridge the gaps in the current theoretical discourses and creative practices.

    Keywords: Feminist performance art, agential realism, intersectionality, class, new materialism, class-drag, performativity, class-passing, intra-activity.

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  • 9.
    Dahlin, Johanna
    et al.
    Linköping University, Department for Studies of Social Change and Culture, Department of Culture Studies – Tema Q. Linköping University, Faculty of Arts and Sciences.
    Fredriksson, Martin
    Linköping University, Department for Studies of Social Change and Culture, Department of Culture Studies – Tema Q. Linköping University, Faculty of Arts and Sciences.
    Where does the Mine End2018In: Rivers of Emotion, Bodies of Ore: 13.09 - 21.12 2018, Kunsthall Trondheim / [ed] Lisa Rosendahl, Oslo: Not Yet Titled Press , 2018, p. 118-128Chapter in book (Other academic)
  • 10.
    Glad, Wiktoria
    et al.
    Linköping University, Department of Thematic Studies, Technology and Social Change. Linköping University, Faculty of Arts and Sciences.
    Radpour, Hasti
    Freelance Artist.
    Axelsson, Bodil
    Linköping University, Faculty of Arts and Sciences. Linköping University, Department of Culture and Society, Division of Culture, Society, Design and Media.
    Shapes of hot water: a critical study of hot tap water in homes2020Conference paper (Refereed)
    Abstract [en]

    This is a collaboration between artist Hasti Radpour, an art curator and researchers in the humanities and social sciences.

    Theoretically our study has found inspirations from concepts such as everyday life practices, ethical dimensions and moral terrains in the use of hot tap water in homes, and includes an exploration of complex intersections between age, class, ethnicity and gender, and how it is interlaced with practices of washing hands, bathing, taking a shower and washing up the dishes.

    An overall aim of the project is to contribute with new understandings of resource use in intimate spheres. We are particularly interested in embodied experiences, emotions, performative habits and memories and how these might influence hot water use.  

    Currently we are exploring socio-cultural sensitive and ethical methods to understand how hot tap water comes to matter in everyday life. Our ongoing work includes a qualitative iterative research process with collecting narratives of hot tap water practices, thoughts and emotions that are associated with routines in washing hands, showering, bathing and washing up the dishes.

    In our planned future work, when we are able to visit people’s homes again, researchers and artist will collaborate in home visits and ask questions about people’s practices: how they use hot tap water; and their thoughts and feelings; and why they think they have these thoughts and feelings related to their use of hot tap water.

  • 11.
    Johannesson, Lena
    Linköping University, The Tema Institute, Department of Communications Studies. Linköping University, Faculty of Arts and Sciences.
    Om skolplanschsamlingen och skolmuseet i Gamla Linköping: en antologi i samarbete med Konsthistoriska Klubben, Gamla Linköping och Linköpings universitet1996Collection (editor) (Other academic)
    Download full text (pdf)
    Om skolplanschsamlingen och skolmuseet i Gamla Linköping: en antologi
  • 12.
    Jonsson, Stefan
    Linköping University, Department of Culture and Society, Division of Migration, Ethnicity and Society (REMESO). Linköping University, Faculty of Arts and Sciences. Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society.
    Aesthetic Knowledge of Social Transformations: Migrant Agency and Political Emergence in the Artwork2020In: The Large Glass. Journal of Contemporary Art, Culture and Theory, ISSN 1409-5823, no 29-30, p. 10-17Article in journal (Refereed)
    Abstract [en]

    To say that migration entails new forms of political emergence amounts to the proposition that migration today constitutes a ‘hypothesis’ of a coming society, where sovereignty does not translate into exclusion. Over the past two-three decades, the human sciences, helped by art and literature, have begun to explore this hypothesis. This is the context of several recent interrogations by artistic practices and aesthetic works of notions such as citizenship, borders, sovereignty, statehood and community. In this context, we can recognize migration, including the colonial legacies from which it derives and the agency that it exercises, as a political process constitutive of our future. At the core of such analyses is the process whereby the aesthetic presentation transforms political negativity, and objective historical constraints, into agency, a site of becoming.

  • 13.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Andrea Geyer: Art Exhibit Review2006In: Artforum International, ISSN 1086-7058, Vol. 44, no 8, p. 262-262Article in journal (Other (popular science, discussion, etc.))
  • 14.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Culture and Society, Division of Migration, Ethnicity and Society (REMESO). Linköping University, Faculty of Arts and Sciences.
    Billedernes genopstandelse: En personlig betragtning over Pia Arke2021In: Pia Arke: Drøm og fortrængning / [ed] Laerke Rydal Jørgensen & Anders Kold, Humlebaek: Louisiana Museum of Modern Art , 2021, 1, p. 9-20Chapter in book (Other (popular science, discussion, etc.))
  • 15.
    Jonsson, Stefan
    Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences. Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society.
    Förord2015In: Inga undantag: Värdeskapandet i små och medelstora samtidskonsthallar / [ed] Mikael Löfgren, Göteborg: Nätverkstan , 2015, 1, p. 6-9Chapter in book (Other academic)
    Abstract [sv]

    Varför finns det konst? Och varför är den nödvändig för samhället? Denna essä av Mikael Löfgren kartlägger villkoren för svenska konsthallar inriktade på samtidskonst. Han undersöker deras arbetssätt, finansiering och publik. Samtidskonsthallens del av svensk kulturpolitik må vara liten, dess omedelbara ekonomiska betydelse försumbar, dess tillvaro undanskymd för flertalet. Men granskar man saken närmare framträder konsthallarnas roll som spanare efter alternativa samhällen, laboratorier för nya sätt att leva och sambandscentraler mellan de lokala krafter och globala makter som påverkar hur vi bor, arbetar, känner och lever. Som essän visar kan även små institutioner ha väldig betydelse. Den verksamhet konsthallarna står för tillför samhället med alla dess medborgare något som är lika livsnödvändigt som omätligt och omätbart, nämligen en förmåga att se sig själva och reflektera över sina platser i helheten. I förlängningen bidrar de till att bemyndiga medborgaren och vidmakthålla demokratin.

  • 16.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Karikatyrernas kamp2006In: Världsbilder, religion, yttrandefrihet och globalisering: ett idésamtal på Södra Teatern den 6 mars 2006, Stockholm: Utrikesdepartementet , 2006, p. 63-65Chapter in book (Other (popular science, discussion, etc.))
  • 17.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences. Linköping University, Department of Social and Welfare Studies.
    När de vita skär i den svarta tårtan2012In: Dagens Nyheter, p. 1-3Article in journal (Other (popular science, discussion, etc.))
  • 18.
    Jonsson, Stefan
    Linköping University, Department of Social and Welfare Studies, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences. Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society.
    On Pia Arke2017In: Afterall, ISSN 1465-4253, no 44, p. 10-20Article in journal (Refereed)
    Abstract [en]

    Pia Arke’s work reminds Danes and Europeans of a history they never got to know, or were taught not to know, because it happened overseas. It began to be shown and discussed at the beginning of the 1990s,a period when notions of globalisation offered new models for understanding the dynamics of the world and exposed neglected historical and aesthetic issues. Among the most important of these issues were the colonial legacies of Western European states. In this context, Pia Arke’s interrogations of the suppressed past of Denmark’s relationship with Greenlandbegan to resonate. The daughter of an Inuitseamstress and a Danish telegraphist, shewas born in 1958 in Scoresbysund, orIttoqqortoormiit, Denmark’s outermostcolonial settlement in northeast Greenland.She was from birth entangled in imperialprocesses that endowed her with split visionand multiple identities. These qualitiesanimated her art already in the 1980s, whenshe studied at Copenhagen’s Royal Academy of Fine Arts, and until her untimely death at the age of 48, when she stood on the threshold of international recognition.Pia Arke’s work displayed a mesmerising blend of approaches: painting,photography, montage, video, performance and installation art. Her violation of artistic genres was carefully premeditated. A tastefor the absurdity of scientific collectingbrought her to examine under groundvaults – paleontological and ethnographic archives – stuffed with dusty specimens.She made a mockery of all attempts to represent and classify the natives and nature of the Arctic. Solidarity with the silenced victims of history prompted her to reinvent the art of photography, and to strenuously engage with oral history. She deconstructed ethnography, photography,travel writing, history, landscape painting and much more, and reassembled their elements into multilayered and ambiguous montages conceived in a spirit of criticality and playfulness.

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  • 19.
    Jonsson, Stefan
    Linköping University, Department of Culture and Society, Division of Migration, Ethnicity and Society (REMESO). Linköping University, Faculty of Arts and Sciences. Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society.
    The Resurrection of Images: Personal Notes on Pia Arke2021In: Pia Arke: Dream and Repression / [ed] Laerke Rydal Jørgensen & Anders Kold, Humlebaek: Louisiana Museum of Modern Art , 2021, 1, p. 9-20Chapter in book (Other (popular science, discussion, etc.))
  • 20.
    Jonsson, Stefan
    et al.
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Lalu, Premesh
    Murinik, Tracy
    Considering History, Memory, and Citizenry and their Representation within the Arts: Stefan Jonsson and Premesh Lalu in Conversation moderated by Tracy Murinik2015In: A Story Within a Story / [ed] Elvira Dyangani Ose, Stockholm: Art and Theory Publishing , 2015, 1, p. 208-219Chapter in book (Other academic)
  • 21.
    Kraler, Esther
    Linköping University, Department of Social and Welfare Studies, REMESO - Institute for Research on Migration, Ethnicity and Society.
    The Norms in the Body: Power structures and their Transgression through Arts-based research2019Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    The aim of this thesis is to explore the entanglement of various power axes with the body through 'body mapping' and to look into how the implementation of the method enriches research processes. 'Body mapping' is an arts-based method which places the body in the center of social inquiry. This allows the body to be explored as a central site where social identity is negotiated, while being engaged in this exploration. This orientation might allow insights into how embodied power relations affect people’s lives and how 'body mapping' can contribute to this exploration through raising consciousness and bringing forward personal embodied knowledges. 'Body mapping' will thus ideally allow participants to see themselves through a different angle and thereby engage with questions of how normative ideas in relation to identity are shaping their experiences and feelings of non/belonging in Swedish society. This might initiate newly informed understandings in participants’ lives regarding critical consciousness on their positionality and foster participants’ connection to their bodies as sources of knowledge.

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  • 22.
    Lindström, Sofia
    Linköping University, Department for Studies of Social Change and Culture, Department of Culture Studies. Linköping University, Faculty of Arts and Sciences.
    När friheten sätts på prov: en undersökning av Kungl. Konsthögskolans examinerade studenter 1995‐20092012Report (Other (popular science, discussion, etc.))
  • 23.
    Lärkner, Bengt
    Linköping University, Department of Thematic Studies, Department of Communications Studies, Art and Visual Communication . Linköping University, Faculty of Arts and Sciences.
    Konst i kontext2007Book (Other academic)
    Abstract [sv]

      De artefakter, handlingar eller ideer, som vi i den västerländska kulturkretsen har valt att kalla konst, är givetvis alltid kopplade till en kontext. Med detta kan man avse det sammanhang de tillkom i och de förutsättningar de uppstod ur, men också de tolkningsramar som gällt vid olika punkter på den historiska tidsaxeln eller de fysiska omgivningar i vilka de exponerats eller presenteratsoch det emotionella och intellektuella gensvar som de då har mött. Det är ingen överdrift att hävda att kontexten i dess olika betydelser är helt avgörande för vårt utpekande av något såsom varande konst.

    De tre artiklar som ingår i denna bok kontextualiserar konsten på tre olika sätt. Den första, Masterverk finns dom?, behandlar några centrala begrepp och förhållningssätt inom konstdiskursen mot bakgrund av historiska och nutida förhållanden och aktualiserar några grundläggande frågor om konstens varande och raison d'etre. Texten skrevs i huvudsak för några år sedan då framtiden för den i avseende på teknik och material mera traditionella bildkonsten syntes mera oviss än idag. Detta fargar i viss mån framställningen. Den andra artikeln, Kring Bruegel, har avsikten att tydliggöra bilden av ett komplext konstnärskap, där mytbildning och ett ytligt och ahistoriskt bettaktningssätt delvis har format en utanför expertkretscn förenklad uppfattning av dess karaktär och betydelse. I texten fokuseras främst de politiska och ideologiska förhållanden samt de konstnärliga konventioner och nya konstnärliga ideer som var aktuella i den tid och det samhälle i vilket Bruegels konst gavs form och innehåll. l den tredje artikeln, Känslan och förnuftet, koncentreras intresset till den romantiska attityden och gestaltningen i bild av dess olika aspekter, under perioden från det sena1700-talet till idag. Här drivs tesen att romantikbegreppet inte i första hand bör användas som beteckning för en kulturhistorisk epok och än mindre som en stilbeteckning, utan som ett förhållningssätt till livet och konsten.

    De tre artiklarna representerar tre olika metodiska grepp och visar på några av de olika ingångar i problemkomplexen som kan vara aktuella för konstvetaren. Artikeln Mästerverk finns dom? är diskursiv och historiografisk till sin karaktär. Utifrån oli ka konstnärers, konstteoretikers och estetikers texter och uttalanden från renässansen och framåt belyses och diskuteras här olika värderingsnormer knutna till konstbegreppet Såväl syftningsmässigt som metodiskt representerar den andra artikeln, Kring Bruegel, en något annan typ av konstvetenskaplig text. Med sin syntes av biografisk, kulturhistorisk och socialhistorisk metod samt ikonografisk analys, alltgrundat på ett om fattande käll- och litteraturstudium, kan artikeln stå som exempel på klassisk konstvetenskaplig metodik. Artikeln Känslan och fiirnuftet har som kontrast en mera essäistisk utformningoch kan kanske sägas företrädaett av semiotik och strukturalistiska teorier influerat kulturanalytiskt arbetssätt, där den källkritiska granskningen av underlagsmaterialet har mindre betydelse än den associativa metodik som förknippas med intertextualitets- och intermedialitetsstudier.

    Avslutningsvis: artiklarna avspeglar förvisso några av författarens specifika intresseområden - estetik och konstteori, bred kulturanalys samt den samtida visuella kulturen och dess historiska rötter. Samtidigt skall de tre texterna förhoppningsvis kunna fungera som en inspiration och i någon mån vägledning för konstvetarstudenter, som inför författandet av seminarieuppsatser känner osäkerhet ifråga om ämnesval och metodik. Ominte annat visar artiklarna att konstvetenskapen är en akademisk disciplin med stor bredd och med kopplingar till många delar av det vida kulturvetenskapliga fältet.

    Linköping, maj 2007

    Bengt Lärkner

  • 24.
    Lärkner, Bengt
    et al.
    Linköping University, Department of Thematic Studies, Department of Communications Studies, Art and Visual Communication . Linköping University, Faculty of Arts and Sciences.
    Svensson, GaryLinköping University, Faculty of Arts and Sciences.
    Streck i rörelse: visuell retorik i serier och tecknad film2006Collection (editor) (Other academic)
    Abstract [sv]

    De tre artiklarna i denna, den fjärde volymen i skriftserien Linköping Studies in Art and Visual Communication, diskuterar samtliga den tecknade bildens retorik. Exemplen är hämtade från skämtteckningens, den tecknade filmens respektive seriemas värld. Bokens titel Streck i rörelse syftar naturligtvis på filmens och seriestrippens sekventiella karaktär, men också på de rörelser,såväl perceptuella, intellektuella som emotionella, som tecknarens streck på pappret utlöser hos betraktaren. Artiklarna har alla, om än i varierande grad, ett historiskt och ett biografiskt perspektiv.

    Lars-Ove Östenssons text behandlar Anders Forsberg, en av de främsta skämttecknarna i Sverige kring sekelskiftet 1900. Den idag - åtminstone i jämförelse med hans samtida Albert Engström och Oskar Andersson - relativt bortglömde Forsberg har ofta framhållits som den kanske främste häcklaren av i första hand den dåtida svenska borgarklassen och dess föreställningar och livsstil. Genom att närstudera retoriken i ett stort antal av bilderna i Forsbergs samlingsvolym Från svenska hem (I 902) försöker författaren modifiera schablonbilden av Forsberg som samhällssatiriker och lyfter istället fram sedeskildraren och moralisten.

    David Wickström presenterar i sin uppsats Victor Bergdahl, pionjären inom svensk animerad film. Förutom dokumentationen av Bergdahls liv och verk, riktas fokus mot Kapten Grogg, den mest berömda figuren som han skapade för den vita duken. Särskilt intresse ägnas Bergdahls inspirationskällor och hans för sin tid avancerade tekniska grepp. Avslutningsvis jämför författaren  Bergdahl med senare tiders mest framstående svenska filmanimatör, Per Ahlin, som pekas ut som den nutida förvaltaren av det konstnärliga arvet från Victor Bergdahl.

    Den avslutande artikeln anknyter mest direkt till bokens titel genom att diskutera två olika seriegenrers sätt att framställa illusion av rörelse. Författarna, Katarina Marklund och Patric Asklöf, har valt att dels jämföra två "vuxenserier" med varandra, dels två "barnserier, samtliga svenska. De rent perceptuella faktorerna, liksom mera narrativt betingade bildlösningar granskas i de bildanalyser som författama genomför i avsikt att se om påtagliga skillnader finns mellan de båda genrerna när det gäller återgivandet av rörelse.

    De tre artiklarna är bearbetningar av uppsatser som framlagts vid avdelningen för konstvetenskap och visuell kommunikation vid Linköpings universitet under läsåret 2005-2006. De representerar den profilering mot den vidare visuella kulturen som utvecklats inom ämnet i Linköping samtidigt som de har sin fasta förankring i ämnet konstvetenskaps teoretiska och metodiska kärna.

    Linköping i oktober 2006

    Bengt Lärkner och Gary Svensson

  • 25.
    Lärkner, Bengt
    et al.
    Linköping University, Department of Thematic Studies, Department of Communications Studies, Art and Visual Communication . Linköping University, Faculty of Arts and Sciences.
    Svensson, Gary
    Linköping University, Department of Culture and Communication. Linköping University, Faculty of Arts and Sciences.
    vår visuella vardag2007Book (Other (popular science, discussion, etc.))
    Abstract [sv]

    [---]

    I den här antologin kommer ni att möta en rad olika texter av olika författare: Oskar Gyllenswärd skriver om Adidas annonsering av löparskor; Soffi Ekström och Klara Hanell-Strand skriver om de svarta klädernas retorik; Christer Bergman tar upp lågprisvarornas egen estetik; Julia Enksson sknver om "chick-lit böckernas" visuella språk; Vanja Hultberg och Maud Olsson har studerat teateraffischer och deras budskap; Kristina Hult skriver om våra vanligaste produktmärkningar på förpackningar.

    Vår förhoppning är att texterna skall bidra till att ge goda exempel på områden där visuell retorik på olika sätt har använts.

    Linköping maj 2007

    Bengt Lärkner Gary Svensson

  • 26. Marila, Marko
    On the nature of the aesthetic in (an) art/archaeology2020In: Ineligible: A Disruption of Artefacts and Artistic Practice / [ed] D.W. Bailey, S. Navarro & Á. Moreira, Santo Tirso: International Museum of Contemporary Sculpture , 2020, p. 104-121Chapter in book (Refereed)
  • 27.
    Nikolić, Mirko
    Linköping University, Department of Culture and Society, Division of Communication, Literature and Swedish. Linköping University, Faculty of Arts and Sciences.
    Utvinningimperiarnas expansion2021Other (Other (popular science, discussion, etc.))
    Abstract [sv]

    Utvinnandet av råvaror har ändasedan bronsåldern varit en viktigcivilisatorisk faktor. Genom bådeessäns och det poetiska partituretsformer ut forskar konstnären mirkonikolic´ en metod för att vittna omde effekter som det ex pan derandeut vinnandet –! extrakti vis men –har på både mänskligt ochicke-mänskligt liv.

  • 28.
    Olsson, Jesper
    Linköping University, Department of Culture and Communication, Swedish Studies and Comparative Literature. Linköping University, Faculty of Arts and Sciences.
    Arkivarbete omvärderar modernismen. Recension av Sven Spieker, The Big Archive2009In: Svenska DagbladetArticle in journal (Other (popular science, discussion, etc.))
  • 29.
    Olsson, Jesper
    Linköping University, Department of Culture and Communication, Swedish Studies and Comparative Literature. Linköping University, Faculty of Arts and Sciences.
    Indexikala inspel: poetisk realism a la Carl Fredrik Reuterswärd2011In: OEI, ISSN 1404-5095, no 52, p. 135-151Article in journal (Other academic)
  • 30.
    Olsson, Jesper
    Linköping University, Department of Culture and Communication, Swedish Studies and Comparative Literature. Linköping University, Faculty of Arts and Sciences.
    Mass Media Avant-Garde. Dislocating the Hi/Lo in the Swedish 1960s2012In: Regarding the Popular: modernism, the avant-garde, and high and low culture / [ed] Sascha Bru ... ; with the editorial assistance of Leslie A. Barnes, Gareth Farmer and Matthias Somers, Berlin: Walter de Gruyter, 2012, p. 445-457Chapter in book (Refereed)
    Abstract [en]

    Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called low culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly high modernists and avant-gardists looked at and represented the low. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.

  • 31.
    Olsson, Jesper
    Linköping University, Department of Culture and Communication, Language and Literature. Linköping University, Faculty of Arts and Sciences.
    Spaceship, Time Machine. Öyvind Fahlström’s Ade-Ledic-Nander2017Book (Other academic)
  • 32.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    A Case for Biophilosophising with Non/Living Arts2023Conference paper (Other academic)
  • 33.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Between Crisis Imaginaries and Arts of Eco-Grief2022Conference paper (Other academic)
    Abstract [en]

    In the Anthropocene, the epoch of climate change and environmental destruction that render certain habitats unliveable and induce socio-economic inequalities and shared ‘more-than-human’ vulnerabilities, death and loss become urgent environmental concerns. As climate scientists indicate, in order to achieve UN Sustainable Development Goals (UN SDGs), a much more radical transformative action is needed from all stakeholders: governments, the private sector, communities and individuals (Höhne et al. 2020). Simultaneously, climate change, wars – as it is painfully manifested through the ongoing Russian invasion of Ukraine – and unsustainable living conditions contribute to the mortality and suffering of humans and nonhumans, destruction of entire ecosystems and populations, loss of biodiversity, the sixth mass extinction, and ‘slow’ – as well as very abrupt – environmental violence (Nixon 2011; Neimanis 2020; Åsberg & Radomska 2021). All of these evoke feelings of anger, anxiety and grief, manifested both globally and locally in popular-scientific narratives, cultural and artistic expressions, and environmental activism.This paper explores crisis imaginaries linked to more-than-human death, dying and extinction, as well as questions of ecological grief (or eco-grief), which the former are inherently entwined with. After unpacking the genealogy of the concept of eco-grief and its interlinked notions, I briefly sketch out the theoretical framework of Queer Death Studies, which this presentation is grounded in, and subsequently I look at several examples of contemporary bio-, eco-and media art that mobilise and – at times – subvert the notions of and mourning the more-than-human.

  • 34.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Between Terminal Ecologies and Arts of Eco-Grief: A Queering Reflection2023Conference paper (Other academic)
    Abstract [en]

    While the notion of bereavement linked to the death of a human or to the loss of that which hasalready passed are societally accepted or even expected, the mourning of nonhuman death andecological loss has a rather different status. It is frequently described as ‘disenfranchised grief’(Doka 1989): not openly accepted or acknowledged in society. Simultaneously, in the presentanthropocenic context, where planetary environmental destruction generates unliveable spacesand amplifies ‘more-than-human’ vulnerabilities, the killing of nonhuman populations, annihilationof entire ecosystems and species extinction catalyse discussions among scientists, legal experts,activists and general society. Yet, it is not only natural-scientific and legal, but also philosophical,artistic and cultural understandings of death and eco-grief that are urgently needed. Grounded inQDS, this talk zooms in on the imaginaries and engagements with more-than-human death, as theyare interwoven through the tissues of select contemporary artworks, where ecological ontologyof death is being exposed and where ethical territories of eco-grief and mourning the more-thanhuman unfold.

  • 35.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Ecologies of Death, Ecologies of Mourning: A Biophilosophy of Non/Living Arts2023In: Research in Arts and Education, E-ISSN 2670-2142, Vol. 2023, no 2, p. 7-20Article in journal (Refereed)
    Abstract [en]

    In the present condition of planetary environmental crises, violence, and war, entire ecosystems are annihilated, habitats turn into unliveable spaces, and shared “more-than-human” vulnerabilities get amplified. Here and now, death and loss become urgent environmental concerns, while the Anthropocene-induced anxiety, anger, and grief are manifested in popular-scientific narratives, art, culture, and activism.Grounded in the theoretical framework of queer death studies, this article explores present grief imaginaries and engagements with more-than-human death, dying, and extinction, as they are interwoven through contemporary art. It is there where an ecological ontology of death is being exposed and ethical territories of eco-grief unfold.

    Download full text (pdf)
    fulltext
  • 36.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Ecologies of Death, Ecologies of Mourning: Biophilosophical Assemblages of Non/Living Arts2022Conference paper (Other academic)
    Abstract [en]

    In the present condition of planetary environmental disruption, including both slow and abrupt violence (Nixon 2011; Neimanis 2020) and even war, entire ecosystems are being annihilated, habitats turned into unlivable spaces, socio-economic inequalities intensified, and shared, more-than-human vulnerabilities amplified. Here and now, death and loss become urgent environmental concerns. Grounded in the theoretical framework of Queer Death Studies and particularly in the concept of the “deterritorialization of death” (Radomska 2020), this talk explores contemporary crisis imaginaries and engagements with more-than-human death, dying, and extinction as they are woven through the tissue of contemporary bio-, eco- and new-media art. It is in these spaces of (non)living artworks that conventional frames of human exceptionalism are questioned, ecological ontology of death exposed, and ethical territories of ecological grief and mourning the more-than-human unfold.

  • 37.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Elämästä luopuminen: Biofilosofiasta, epä/elämisestä, toksisesta ruumiillistumisesta ja etiikan uudelleenmuotoilusta2020In: Niin & näin, ISSN 1237-1645, p. 39-46Article in journal (Refereed)
    Abstract [fi]

    Elämä tavataan nähdä kuoleman vastakohtana. Tällaisen kahtiajaon ulkopuolelle mahtuu kuitenkin paljon ontologisia ja eettisiä kysymyksiä, joita on lähdettävä purkamaan toisesta suunnasta. Marietta Radomska ja Cecilia Åsberg ehdottavat suunnaksi biofilosofiaa, jossa elämistä ja kuolemista tarkastellaan yhteen kietoutuneina ja yhdessä muuttuvina.

  • 38.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    From Ecologies of Death to Arts of Eco-Grief: A Queer(ing) Approach2023Conference paper (Other academic)
    Abstract [en]

    In the times of climate change and planetary environmental disruption that turn certain habitats into unliveable spaces and contribute to socio-economic inequalities and vulnerabilities, (more-than-human) death and loss become urgent environmental concerns. As climate scientists indicate, in order to achieve UN Sustainable Development Goals (UN SDGs), a much more radical transformative action is needed from governments, the private sector, communities and individuals (Höhne et al. 2020).  Simultaneously, unsustainable living conditions contributing to the mortality of human and nonhuman individuals, destruction of entire ecosystems, loss of biodiversity and the sixth mass extinction evoke feelings of anxiety, anger and grief, manifested globally in popular-scientific narratives, cultural expressions, and environmental activism.  

    In this paper I explore crisis imaginaries linked to more-than-human death, dying and extinction (material and figurative), as well as questions of eco-grief, which the former are inherently entwined with. After unpacking the genealogy of the concept of eco-grief and its interlinked notions, I briefly sketch out the theoretical framework of Queer Death Studies, which this talk is embedded in, and subsequently I look at several examples of contemporary bio-, eco-and media art that mobilise and – at times – subvert the notions of and mourning the more-than-human. 

  • 39.
    Radomska, Marietta
    Utrecht University, Netherlands.
    From Feminism to Speciesism and Back Again or How We Are Becoming and How We Collaborate...2010In: Artmix, Vol. 33, no 13Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    This article aims to discuss and challenge speciesism and anthropocentrism that structure Western philosophy and culture. By looking at new directions in both contemporary feminist theory and art, the text asks about possibilities of thinking a non-anthropocentric and non-speciesist ethics of care.

  • 40.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    On Crisis Imaginaries, Ecological Grief and Mourning the More-than-Human2022Conference paper (Other academic)
    Abstract [en]

    In the times of climate change and planetary environmental disruption (or crises) that render certain habitats unliveable and contribute to socio-economic inequalities and vulnerabilities, death and loss (or more precisely, more-than-human death and loss) turn into urgent environmental concerns. As climate scientists indicate, in order to achieve United Nations Sustainable Development Goals (UN SDGs), a much more radical transformative action is needed from governments, the private sector, communities and individuals (Höhne et al. 2020). In fact, after the recent IPCC report one might ask what kind of an understatement that phrasing is. Simultaneously, unsustainable living conditions contributing to the mortality of human and nonhuman individuals, destruction of entire ecosystems, loss of biodiversity and the sixth mass extinction evoke feelings of anxiety, anger and grief, manifested globally in popular-scientific narratives, cultural expressions, and environmental activism. 

    In this paper I delve into crisis imaginaries linked to more-than-human death, dying and extinction, as well as questions of environmental grief, which the former are inherently entwined with. After unpacking the genealogy of the concept of environmental grief and its interlinked notions, I briefly sketch out the theoretical framework of Queer Death Studies, which this presentation is embedded in, and subsequently I look at several examples of contemporary bio-, eco-and media art that mobilise and – at times – subvert the notions of and mourning the more-than-human.

     

  • 41.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Promising Futures? On Bioart, the Non/Living and Ethics2019Conference paper (Other academic)
    Abstract [en]

    Keynote lecture delivered at the NOBA Norwegian Bioart Arena Symposium “Thinking through matter – Exploring BioArt and design in a Norwegian contemporary context”, 2 April 2019, Ås, Norway.

    Bioartistic projects and objects both challenge the conventional ideas of embodiment and bodily boundaries, and problematise the relation between the living and non-living, organic and inorganic, human and nonhuman, as well as various thresholds of the living.

    By looking at select bioartworks, this lecture argues that the analysed projects offer a different ontology of life. More specifically, they expose life as uncontainable: as a power of differentiation that traverses the divide between the living and non-living, organic and inorganic, human and nonhuman, and, ultimately, life and death. BY doing so, they draw attention to excess, processuality and multiplicity at the very core of life itself. Thus understood, life always already surpasses preconceived material and conceptual limits.

    While taking feminist posthumanities as its theoretical ground, the lecture suggests that such a revision of the ontology of life may mobilise future conceptualisations of ethics that evade the anthropocentric logic dominant in the humanities and social sciences.

  • 42.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Queer/ing Imaginaries and Arts of Eco-Grief2023Conference paper (Other academic)
    Abstract [en]

    “(…) the ability to mourn for the loss of other species is, in this sense, an expression of our sense of participation in and responsibility for the whole fabric of life of which we are a part.”(Burton-Christie 2011)

    In the Anthropocene, death and loss become pressing environmental concerns. Destruction of ecosystems, loss of biodiversity, war, the Covid-19 pandemic and slow environmental violence evoke feelings of anxiety and grief, manifested in science and popular-scientific communication, art, theory and environmental activism. Recognising commonly unacknowledged grief and asking ourselves what it is that we mourn may help us understand our relations to the environment, and what we choose to value, preserve or revive.

    Theoretically grounded in the transdisciplinary field of Queer Death Studies, this talk explores crisis imaginaries linked to more-than-human death, dying and extinction (both material and figurative), as well as questions of eco-grief, which the former are inherently entwined with. This is done through a close dialogue with select contemporary bio-, eco-and media artworks that mobilise and – at times – subvert the notions of and mourning the more-than-human. 

  • 43.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Storying Terminal Ecologies: On Death, Queerfeminist Biophilosophy and Art2019Conference paper (Other academic)
    Abstract [en]

    In the contemporary context of environmental crises and degradation, certain habitats become unliveable, leading to the death of individuals, populations and species extinction. While bioscience emphasises interdependency and relationality as crucial characteristics of life shared by all organisms, Western cultural imaginaries tend to draw dividing lines between humans and nonhumans, particularly evident in the context ofdeath. On the one hand, death appears as a process common toall forms of life; on the other, as an event that distinguishes human from other organisms. Against this background, this paper explores how contemporary art—in particular, the series of worksThe Absence of Alice (2008–2011) by Australian new-media andbioartist Svenja Kratz—challenges the normative and human-exceptionalist concept of death. By employing queerfeminist biophilosophy as a strategy that focuses on relations, processes and transformations instead of ‘essences’, the paper examines the ways Kratz’s works deterritorialise the conventional concept ofdeath.

  • 44.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies.
    Towards Arts of Eco-Grief: A Queering Reflection2023In: State of the Art: Elements for Critical Thinking and Doing / [ed] Erich Berger; Mari Keski-Korsu; Marietta Radomska; Line Thastum, Helsinki: Bioart Society , 2023, p. 35-43Chapter in book (Other academic)
    Abstract [en]

    This short chapter, philosophically grounded in queer death studies, explores imaginaries of more-than-human death and ecological grief (eco-grief) as they are mobilised and (re)shaped at the interface between contemporary theory, art and culture. It is in the flesh of contemporary artworks, where an ecological ontology of death is being exposed and where ethical terrains of eco-grief clandestinely unfold.

  • 45.
    Radomska, Marietta
    et al.
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Citlalli Rojo Gómez, Mayra
    Independent artist.
    Pevere, Margherita
    Aalto University, Helsinki.
    Haapoja, Terike
    Parsons Fine Arts and NYU, New York.
    Non/Living Queerings, Undoing Certainties, and Braiding Vulnerabilities: A Collective Reflection2021In: Artnodes, ISSN 1695-5951, no 27, p. 1-10Article in journal (Refereed)
    Abstract [en]

    The ongoing global pandemic of Covid-19 has exposed SARS-CoV-2 as a potent non-human actant that resists the joint scientific, public health and socio-political efforts to contain and understand both the virus and the illness. Yet, such a narrative appears to conceal more than it reveals. The seeming agentiality of the novel coronavirus is itself but one manifestation of the continuous destruction of biodiversity, climate change, socio-economic inequalities, neocolonialism, overconsumption and the anthropogenic degradation of nature. Furthermore, focusing on the virus – an entity that holds an ambiguous status between the ‘living’ and ‘non-living’ – brings into question the issue of the agentiality of non/living matter. While the story of viral potency seems to get centre stage, overshadowing the complex and perverse entanglement of processes and phenomena which  activated these potentials in the first place, the Covid-19 pandemic also becomes a prism that sheds light on the issues of environmental violence; social and environmental injustices; more-than-human agentiality; and ethico-political responses that the present situation may mobilise.

    This article serves as a written record of joint conversations between artists and researchers in the working group ‘Non/Living Queerings’ that formed part of the online series of events ‘Braiding Friction’ organised by the research project Biofriction. The article strives to capture the collective effort of braiding and weaving a variety of situated perspectives, theoretical toolboxes, knowledges and experiences against the background of the ongoing Covid-19 pandemic. In particular, the text focuses on the issues of crisis, ‘amplification effect’, viral agency and the changing notions of humanity.

    Download full text (pdf)
    fulltext
  • 46.
    Radomska, Marietta
    et al.
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences. University of Helsinki.
    Åsberg, Cecilia
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences. KTH Royal Institute of Technology.
    Doing away with life: on biophilosophy, the non/living, toxic embodiment, and reimagining ethics2020In: Art as we don’t know it / [ed] Erich Berger, Kasperi Mäki-Reinikka, Kira O’Reilly & Helena Sederholm, Helsinki: Aalto ARTS Books , 2020, p. 54-63Chapter in book (Refereed)
  • 47.
    Radomska, Marietta
    et al.
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Åsberg, Cecilia
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Fathoming Postnatural Oceans: Towards a low trophic theory in the practices of feminist posthumanities2022In: Environment and Planning E: Nature and Space, ISSN 2514-8486, E-ISSN 2514-8494 , Vol. 5, no 3, p. 1428-1445Article in journal (Refereed)
    Abstract [en]

    As the planet’s largest ecosystem, oceans stabilise climate, produce oxygen, store CO2 and host unfathomable biodiversity at a deep time-scale. In recent decades, scientific assessments have indicated that the oceans are seriously degraded to the detriment of most near-future societies. Human-induced impacts range from climate change, ocean acidification, loss of biodiversity, eutrophication and marine pollution to local degradation of marine and coastal environments. Such environmental violence takes form of both ‘spectacular’ events, like oil spills and ‘slow violence’, occurring gradually and out of sight. The purpose of this paper is to show four cases of coastal and marine forms of slow violence and to provide counter-accounts of how to reinvent our consumer imaginary at such locations, as well as to develop what is here referred to as ‘low-trophic theory,’ a situated ethical stance that attends to entanglements of consumption, food, violence, environmental adaptability and more-than-human care from the co-existential perspective of multispecies ethics. We combine field-philosophical case studies with insights from marine science, environmental art and cultural practices in the Baltic and North Sea region and feminist posthumanities. The paper shows that the oceanic imaginary is not a unified place, but rather, a set of forces, which requires renewed ethical approaches, conceptual inventiveness and practical creativity. Based on the case studies and examples presented, the authors conclude that the consideration of more-than-human ethical perspectives, provided by environmental arts and humanities is crucial for both research on nature and space, and for the flourishing of local multispecies communities. This paper thus inaugurates thinking and practice along the proposed here ethical stance of low-trophic theory, developed it along the methodological lines of feminist environmental posthumanities.

    Download full text (pdf)
    fulltext
  • 48.
    Sandgrim, Carola
    Linköping University, Department of Culture and Communication.
    Sigrid Hjertén och Siri Derkert - två modernistiska pionjärer: En komparativ studie ur ett genusperspektiv2015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essay is a comparative study and a semiotic analysis of a selection of artworks from the artists Sigrid Hjertén and Siri Derkert.

    The purpose of this paper is to study the artworks from a gender perspective. The purpose is also to examine if there are reflections and connections in their art that reflects both of the artist lives and if they in some way exceeded the norm. From each artist I have chosen artworks with similar motives, a self-portrait, one where they have painted their children, and one of an exotic woman.

    Download full text (pdf)
    C uppsats Carola Sandgrim
  • 49.
    Shildrick, Margrit
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Reimagining embodiment: incorporations, intrusions and identity in heart transplantation2013Conference paper (Other academic)
  • 50.
    Smolicki, Jacek
    Linköping University, Department of Culture and Society, Division of Language, Culture and Interaction. Linköping University, Faculty of Medicine and Health Sciences.
    Inaudible Cities2022In: Going Out - Walking, Listening, Sound-making / [ed] Elena Biserna, Brussels: Q-O2 , 2022, 1Chapter in book (Refereed)
    Abstract [en]

    In Invisible Cities, through the character of Marco Polo, Italo Calvino introduces us to fifty-five poetic descriptions of life in a city.[1] Despite the depiction of space, architecture, and everyday life practices as greatly diverse and incomparable to each other, within the course of this highly imaginative novel the reader gets a strange feeling that all stories might in fact pertain to a single city, Venice, Marco Polo’s hometown. Inspired by the story, in Inaudible Cities I explore the suburbs of Stockholm, where I live, to create a series of short stories describing diverse facets of city life from the perspective of what we have conveniently accepted to call “urban peripheries”. Through a series of soundwalking excursions to those peripheries, I ask what stories about the city can be revealed if the focus on the “sonic infra-ordinary” replaces our addiction to the “extra-ordinary”?

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