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  • 1.
    Aronsson, Peter
    Linköping University, Department for Studies of Social Change and Culture, Department of Culture Studies. Linköping University, Faculty of Arts and Sciences.
    Identity politics and uses of the past with European national museums2011In: Nordisk Museologi, ISSN 1103-8152, no 1, p. 117-124Article in journal (Other academic)
    Abstract [en]

    The article presents a research project on identity politics in Europe. European National Museums: Identity politics, the uses of the past and the European citizen (EuNaMus, www.eunamus.eu) explores the creation and power of the heritage created and presented by European national museums. National museums are defined and explored as processes of institutionalized negotiations where material collections and displays make claims and are recognized as articulating and representing national values and realities. Questions asked in the project are why, by whom, when, with what material, with what result and future possibilities are these museums shaped.

  • 2.
    Aronsson, Peter
    Linköping University, Faculty of Arts and Sciences. Linköping University, Department for Studies of Social Change and Culture, Department of Culture Studies.
    Making National Museums (NaMu) - ett internationellt program för jämförande studier rörande nationalmuseernas framväxt och funktion2007In: Nordisk Museologi, ISSN 1103-8152, no 1, p. 82-86Article in journal (Refereed)
  • 3.
    Axelsson, Bodil
    et al.
    Linköping University, Department for Studies of Social Change and Culture, Culture, Society and Media Production - KSM. Linköping University, Faculty of Arts and Sciences.
    Åkerö, Karl-Emil
    Linköping University, Department for Studies of Social Change and Culture, Culture, Society and Media Production - KSM. Linköping University, Faculty of Arts and Sciences.
    LHBTQI-perspektiv och kulturarv: Aspekter på urval, överväganden och tillrättalägganden.2016In: Nordisk Museologi, ISSN 1103-8152, no 2, p. 3-19Article in journal (Refereed)
    Abstract [en]

    Todaymuseums strive to include LHBTQI perspectives in exhibitions and audiencedevelopment, as well as in the collections. This articleis an attempt to explore three cases of archiving LHBTQI memories andexperiences. We use a broad definition of “archiving” to also include digitalcollections, exhibitions and social media so as to investigate differentapproaches. The first case we approach is the website Unstraight Museum wherewe bring to the surface the ways in which its digital collection creates acollective memory, makes LHBTQI experiences visible and queer the officialheritage. Our second case is the Museum of World Culture’s exhibition Playground. Here we bring the attentionto the ways in which curatorial themes such as love and family invite straightpeople to identify with unstraight experiences. Our last case is activists’ blogs at the webplatform Tumblr, which we here view as an archive, waiting to be explored bycultural historians. For now it is temporary and ephemeral, in two respects. Firstly,the flowsare constantly updated and thereby changing. Secondly, there is no guaranteethat posts and accounts will be saved for the future.

  • 4.
    Ekström, Anders
    Linköping University, Faculty of Arts and Sciences. Linköping University, The Tema Institute, Technology and Social Change.
    Museipestens nya skepnad2001In: Nordisk Museologi, ISSN 1103-8152, no 2000/2, p. 31-38Article in journal (Refereed)
  • 5.
    Hillström, Magdalena
    Linköping University, Department for Studies of Social Change and Culture, Department of Culture Studies. Linköping University, Faculty of Arts and Sciences.
    Artur Hazelius, Nordiska museet och ansvaret för kulturarvet2009In: Nordisk Museologi, ISSN 1103-8152, no 1, p. 105-122Article in journal (Refereed)
    Abstract [en]

    The thesis traces and analyses important changes in cultural heritage and museum politics during the nineteenth century. It tells two overlapping narratives. One is about the creation and expansion of Nordiska museet, and about the museum founder, Artur Hazelius. The other concerns the indecisive construction of meaning and organisational forms for state responsibility for the cultural heritage. The nineteenth century is commonly described as a time when cultural heritage became a concern of the state. This thesis instead sheds light on the uncertainties involved in the construction of national cultural heritage politics. It emphasises the crucial role played by voluntary organisations. It observes the significance of histories and of counter-histories in the controversies about the ownership of the cultural heritage and responsibility for maintaining it. The thesis also focuses on the emergence of a museum profession and its implications for the development of Nordiska museet and for museum politics in general.

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