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  • 1.
    Eldelin, Emma
    Linköping University, Department of Culture and Communication, Swedish Studies and Comparative Literature. Linköping University, Faculty of Arts and Sciences.
    Essäisten som generalist: Författarroller och offentlig auktoritet hos tre samtida essäister2009In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 39, no 3-4, p. 81-92Article in journal (Refereed)
    Abstract [en]

    This is a study of the critical reception of essayistic works by contemporary Swedish writers Nina Burton, Peter Englund and Peter Nilson, who all represent a way of writing where the essayist acts as a generalist rather than a specialist. Despite having high academic degrees, these authors emphasize the personal ”light learning” perspective often used in the essay tradition. The primary aim is to investigate which roles and what type of authority that have been ascribed to these essayists depending on partly their educational background and partly on conventions regarding the essay as a genre.

  • 2.
    Fjelkestam, Kristina
    Linköping University, Department of Culture and Communication, Swedish Studies and Comparative Literature. Linköping University, Faculty of Arts and Sciences.
    "Män kan inte våldtas"?: Märta Tikkanen, Stieg Larsson och heteronormativitetens gränser2013In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 3-4, p. 107-119Article in journal (Refereed)
    Abstract [en]

    The central argument of this article originates in a rhetorical question: are female rapists ”men”? If legal discourse is brought to its heteronormative head, the answer is yes; however, this article aims to problematize the presumtions underlying this answer, and to consider the possibility of theorising rape in the absence of heteronormative limitations. My analysis involves two readings: Märta Tikkanen’s Manrape (Män kan inte våldtas, 1975) and Stieg Larsson’s The Girl with the Dragon Tattoo (Män som hatar kvinnor, 2005), two novels in Swedish which depict women raping their male rapists out of revenge. My conclusion is that the former novel eventually conforms to heteronormativity, while the latter does not. However, this does not imply that sexual power structures are erased in The Girl with the Dragon Tattoo. Rather, in this novel, power violations are viewed in terms of the broader issues of law, politics and economics. But what is then lost, on the other hand, is the specificity of female experience as it is represented in Manrape.

  • 3.
    Franzén, Carin
    Linköping University, Department of Culture and Communication, Swedish Studies and Comparative Literature. Linköping University, Faculty of Arts and Sciences.
    Recension av Röstens anatomi2009In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 1, p. 106-108Article, book review (Other academic)
  • 4.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    En kvinnas plats i världsordningen: Ett grundläggande drag hos Pia Arke och Marguerite Duras2010In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 40, no 2Article in journal (Refereed)
    Abstract [en]

    Contemporary arts and literature provide a record of alternative narratives of globalization. This essay discusses how the global world system is reconfigured in two different aesthetic endeavors: the so-called ”India Cycle” of Marguerite Duras and the visual artwork of Greenlandic-Danish artist Pia Arke. The essay suggests that both Duras and Arke constitute what may be defined as global narratives, and, furthermore, that both approach what may be termed ”the essential trait” of contemporary global history. This essential trait is made visible – or, indeed, audible – through the pertinent figure of a subaltern female subject, which the reader or viewer perceives as occupying the very margin or edge of the global order. It is argued that this position still remains untheorized in postcolonial cultural theory. Finally, the essay presents a model through which this figure may be understood, while it also insists on the figure’s importance as a touchstone and corrective of urgent political and theoretical problems of our era.

  • 5.
    Käck, Elin
    Linköping University, Department of Culture and Communication, Language and Literature.
    Läsa utan raderna: Den litterära textens transformationer i läroboken2017In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 1, p. 46-57Article in journal (Refereed)
  • 6.
    Olsson, Jesper
    Linköping University, Department of Culture and Communication. Linköping University, Faculty of Arts and Sciences.
    Avhandlingen som kritisk praktik: andra former, andra medier2012In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 42, no 4, p. 15-26Article in journal (Refereed)
    Abstract [en]

    The Dissertation as Critical Practice: Other Forms, Other Media

    This article (a talk presented at Lund University on October 12, 2012) explores linguistic and rhetorical form, and formal operations, in academic studies in comparative literature – and their relationship to form in poetry and fiction writing. The article also discusses how an awareness and exploration of academic language and formalistic decisions contributes to the academic text. Some examples (by Charles Bernstein and Christian Bök) of such an understanding of the critic’s language are discussed, and, eventually, the question of how new media and, more specifically, digital text can transform the language and form of academic literary studies is addressed through a brief look at the important online journal Vectors.

  • 7.
    Olsson, Jesper
    Linköping University, Department of Culture and Communication, Language and Literature. Linköping University, Faculty of Arts and Sciences.
    Goldsmith som nedskrivningssystem2017In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 2Article in journal (Refereed)
  • 8.
    Olsson, Jesper
    Linköping University, Department of Culture and Communication, Swedish Studies and Comparative Literature. Linköping University, Faculty of Arts and Sciences.
    Language Poetry. Recension av Åsa Arketeg, An Aesthetics of Resistance2008In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 38, no 1, p. 101-104Article, book review (Other academic)
  • 9.
    Olsson, Jesper
    Stockholms universitet.
    Recension av Anders Olsson, Läsningar av Intet2001In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 31, no 1, p. 120-123Article, book review (Other academic)
  • 10.
    Olsson, Jesper
    Linköping University, Department of Culture and Communication, Swedish Studies and Comparative Literature. Linköping University, Faculty of Arts and Sciences.
    Recension av Laura Luise Schultz, Mellem tekst og teater. Skuespillets rolle i Gertrude Steins performative estetik2010In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 40, no 2, p. 97-99Article, book review (Other academic)
  • 11.
    Olsson, Jesper
    Stockholms universitet.
    "Slprlnthgtäaäa": röst, skrift & medier i den konkreta poesin2000In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 30, no 1, p. 28-47Article in journal (Other academic)
  • 12.
    Olsson, Jesper
    Linköping University, Department of Culture and Communication, Swedish Studies and Comparative Literature. Linköping University, Faculty of Arts and Sciences.
    Tillfället gör dikten. Stöld, återbruk och brukstexter i samtida poesi2012In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 42, no 2-3, p. 138-153Article in journal (Refereed)
    Abstract [en]

    Appropriation and Reuse as Media Archaeology in Contemporary Swedish Poetry

    This article deals with the practice in contemporary poetry of appropriation and recycling of extra-literary (or extra-aesthetic) materials, such as dictionaries, handbooks, user manuals, radio talks et cetera. The practice is situated within an avant-garde tradition of readymades, collages, and found poetry, which offers a historical context to the contemporary work. The analytical focus of the article is on three Swedish poets, who in various ways have explored this field of conceptually oriented writing during the last decade – Oskar Ponnert, Ida Börjel, and Ulf Karl Olov Nilsson. Even though their poetics vary, one might trace some common traits in their recycling of already existing textual, acoustic, and visual materials through concepts such as ’indexicality’ and ’materiality’. The article also suggests that their work could be designated as a kind of media archaeology in poetry – as a way of discussing and reflecting upon the conditions of memory and representation in a contemporary media society.

1 - 12 of 12
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