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  • 1.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    As the Non/Living Twitches: Bioart, Movement, and the Question of Life2013Conference paper (Refereed)
  • 2.
    Radomska, Marietta
    Utrecht University, Netherlands.
    Biopolityka: Od Michela Foucaulta do Giorgio Agambena2010In: Estetyka i Krytyka, ISSN 1643-1243, Vol. 2, no Suppl. 2, 147-155 p.Article in journal (Other academic)
    Abstract [en]

    The aim of this article is to examine the concept of biopolitics - a form of power/politics the object of which is the very biological life (Aristotle's zoe ) of the human species. Although the term of biopolitics was employed for the first time at the beginning of the 20th century by a Swedish theorist, Rudolf Kjellén, it is Michel Foucault who thoroughly discussed it and conducted its genealogy. Taking Foucault's analyses as my point of departure, I will examine Giorgio Agamben's negative idea of biopolitics (tanathopolitics) that sets a threshold below which life can be annihilated with impunity. Finally, I will raise the question of the possibility of an affirmative biopolitics.

  • 3.
    Radomska, Marietta
    Adam Mickiewicz University, Netherlands.
    Braidotti/Haraway: Perspektywa Posthumanizmu2010In: Nowa Krytyka, ISSN 0867-647X, no 24-25, 57-74 p.Article in journal (Refereed)
    Abstract [en]

    The article analyses philosophical premises of the feminist posthumanist ethical project, while drawing on the theories of Rosi Braidotti and Donna Haraway.

  • 4.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Entanglements of the Victimless Leather Jacket: Waste, Death, and the Uncontainability of the Living”2015Conference paper (Other academic)
    Abstract [en]

    In the context of bioscience (as much as in the field of bioart) that engages with tissue bioengineering, the life of the cultured cells is closely intertwined with the issues of biohazardous waste, contagion, death, and control (over the manipulated ‘living’). While looking at one of the exhibitions during which Australian bioartists The Tissue Culture & Art Project showed their ‘semi-living’ sculpture the Victimless Leather Jacket, which unexpectedly became contaminated with fungi, I will examine the material-discursive entanglements of the ideas of death, life, and the uncontainability of the latter that are enacted through the bioartwork as well as bioartistic practices in a broader sense.

  • 5.
    Radomska, Marietta
    Faculty of Social Sciences, Adam Mickiewicz University, Poznan, Poland.
    Etyka Nomadyczna a Bioart2008In: Dzieło sztuki z perspektywy kulturowej: Metody, dyskursy, narracje / [ed] Sebastian Antkowiak and Alicja Rubczak, Torun, Poland: Nicolaus Copernicus UniversityPress, Torun, Poland , 2008, 157-169 p.Chapter in book (Other academic)
  • 6.
    Radomska, Marietta
    Utrecht University, Netherlands.
    Feminist Lines of Flight and the Thought of Novelty2010Conference paper (Other academic)
  • 7. Radomska, Marietta
    From Discipline to Control: Analysis of the Society in M. Foucault’s and G. Deleuze’s Writings2008Conference paper (Other academic)
  • 8.
    Radomska, Marietta
    Utrecht University, Netherlands.
    From Feminism to Speciesism and Back Again or How We Are Becoming and How We Collaborate...2010In: Artmix, Vol. 33, no 13Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    This article aims to discuss and challenge speciesism and anthropocentrism that structure Western philosophy and culture. By looking at new directions in both contemporary feminist theory and art, the text asks about possibilities of thinking a non-anthropocentric and non-speciesist ethics of care.

  • 9.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    How does life come to matter through bioart?: On ethico-zoonto-epistemology of transspecies relations2012Conference paper (Refereed)
  • 10. Radomska, Marietta
    How to think affirmative biopolitics?2009Conference paper (Other academic)
  • 11.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Imagining Extinction: The Cultural Meanings of Endangered Species2017In: Angelaki, ISSN 0969-725X, E-ISSN 1469-2899, Vol. 22, no 2, 257-261 p.Article, book review (Other academic)
    Abstract [en]

    n/a

  • 12.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    MacCormack, Patricia (ed.), The Animal Catalyst: Towards Ahuman Theory, Bloomsbury, London and New York, 2014. ISBN: 9781472534446 (Paperback) / 9781472526847 (Cloth), 224 pp., US$ 34.95 (Paperback) / US$ 104 (Cloth).2015In: Somatechnics, ISSN 2044-0138, Vol. 5, no 2, 255-258 p.Article, book review (Refereed)
  • 13.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Machinic Assemblages of the Non/Living: Bioart and Uncontainable Life2015Conference paper (Refereed)
    Abstract [en]

    Bioart is an increasingly popular current of contemporary art which involves the use of biological (”living”) materials and employment of bioscientific procedures, protocols, and tools. This also means that bioartworks often result from the collaboration between artists and scientists. As any other form of tinkering with life in the frames of wet biology laboratory, bioartistic practices generate waste on a daily basis. It is not only laboratory materials, rubber gloves, or chemical substances that need to be disposed in accordance with lab protocols; the very life itself, the organisms, cells, tissues, bacteria, and all other forms of the living – once they “fulfil the ascribed role” – are to be disposed as well. In the latter case, yet, the “disposal” may also be understood as neutralisation or killing as the organisms cannot be sustained in the lab anymore (“are no longer useful”?), nor can they leave the lab. As the bioartists, Ionat Zurr and Oron Catts (Tissue Culture & Art Project) put it, “when life leaves the lab it is almost always waste”. In their own projects, which do not only consist in growing semi-living sculptures out of tissue cultures seeded on biopolymer scaffoldings of different shapes, but also include the involvement of the audience, TC&A draw attention to this very instrumental position which life itself occupies in the context of contemporary bioscience and technology. At the same time, both their artworks and narratives challenge the popular (transhumanist) discourse on manageability and control over life In this paper I will look at how the concept of the disposable/waste, which is increasingly problematised not only within environmental science, but also philosophy, sociology and cultural studies, may allow for a problematisation of life and the living entwined in the procedures constitutive of a bioartistic laboratory. Furthermore, whilst concentrating on the intertwinement between human and nonhuman, organic and inorganic, living and non-living that all fall into the category of “life”, I will introduce the concept of the non/living as a more adequate and fruitful way of approaching this dynamic assemblage. Finally, I will inquire about possible ways in which the assemblage of the non/living may enable a rethinking of ethics in a non-anthropocentric manner.

  • 14.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    On the Monstrosity of the Semi-Living: Embodiment, Subjecthood and Ethics in the Context of Bioart2012Conference paper (Refereed)
  • 15.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Posthumanist Pedagogies: Toward an Ethics of the Non/Living2013In: Journal of Curriculum and Pedagogy, ISSN 1550-5170, Vol. 10, no 1, 28-31 p.Article in journal (Other academic)
  • 16.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    The Lesson of Tissue Cultures: Thinking the Radical Immanence of Life Through Bioart"2012Conference paper (Refereed)
  • 17.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    The twitching of life: Somatechnics of the non-living2013Conference paper (Refereed)
  • 18.
    Radomska, Marietta
    Utrecht University, Netherlands.
    Time, Space, Matter: On Cartography of Gilles Deleuze and Karen Barad2010Conference paper (Other academic)
    Abstract [en]

    The monist philosophy of Gilles Deleuze appears to be a great inspiration for new materialist philosophers like Rosi Braidotti or Manuel DeLanda, as van der Tuin and Dolphijn suggest. Although Karen Barad (another representaive of New Materialism) almost does not refer to Deleuze, it is tempting to point out the moments in her new materialist account that converge with Deleuzian immanent thought. In this paper I will attempt to investigate the resonances and convergences between Barad’s andDeleuze’s thought, while focusing on several concepts, which appear constantly in both authors (such as matter, time, space, and their methods).

  • 19.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies.
    Tinkering with Cells: Towards an Ontology of the Non/Living2013Conference paper (Other academic)
    Abstract [en]

    Taking its departure from a direct engagement with a bioartistic project conducted by Dr Ionat Zurr (which partly consists in growing mouse skeletal muscle tissue that expresses itself by twitching), this paper aims to examine the critical and creative potential of the concept of life redefined as the non/living, its entanglement with movement, as well as the related understanding of ethics.

  • 20.
    Radomska, Marietta
    Utrecht University, Netherlands.
    Towards a Posthuman Collective: Ontology, Epistemology and Ethics2010In: Praktyka Teoretyczna, ISSN 2081-8130, Vol. 1, no 1, 94-115 p.Article in journal (Other academic)
    Abstract [en]

    The article aims at reconstructing ontological, epistemological, and ethical frames of the posthumanist project, while drawing on the philosophies of Karen Barad, Deleuze and Guattari, and Donna Haraway. Only by defining such theoretical premises of the project one may be able to ask about and think a posthumanist collective and posthumanist politics

  • 21.
    Radomska, Marietta
    Utrecht University, Netherlands.
    Towards an Ecology of the Affective: Between Pain, Pleasure and Radical Body Modifications2011Conference paper (Other academic)
    Abstract [en]

    Traditionally psychoanalysis has perceived sexuality as always related to genitality and desire as the one connected with lack.The issue of desire has often been associated with the Freudian pain-and-pleasure principle that may be traced back to Aristotle’s claim that one always seeks pleasure and avoids pain.

    E.Grosz’s extensive analysis of (animal)sex with its relation to desire and sensibility (influenced by G.Callois and A.Lingis),and G.Deleuze’s concepts of affectivity and desire challenge the idea of the organisation of erogenous zones (around the genital centre),the unity of the organic body and its stabilised image.

     In this way,the “carnal experience is uncertain, non-teleological,undirected” and a body that experiences such undirectedness may be acknowledged as the Deleuzian BwO.This leads to the radical redefinition and reconfiguration of traditional understandings of pleasure and pain.Following this path,I will investigate contemporary practices of one of the forms of radical body modification, namely flesh hook suspension. The questions of pain, pleasure and erotic (sexual)desire often follow from the discussion on BM.Groszian and Deleuzian concepts of desire, affect and becoming will enable me to offer an innovative,philosophical,affirmative,yet critical reading of contemporary rituals of suspension,and thus to open up a new site for the production of knowledge and creation of the new.

  • 22.
    Radomska, Marietta
    Utrecht University, Netherlands.
    Towards Politics of A Life2010Conference paper (Other academic)
  • 23.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Uncontainable Life: A Biophilosophy of Bioart2016Doctoral thesis, monograph (Other academic)
    Abstract [en]

    Uncontainable Life: A Biophilosophy of Bioart investigates the ways in which thinking through the contemporary hybrid artistico-scientific practices of bioart is a biophilosophical practice, one that contributes to a more nuanced understanding of life than we encounter in mainstream academic discourse. When examined from a Deleuzian feminist perspective and in dialogue with contemporary bioscience, bioartistic projects reveal the inadequacy of asking about life’s essence. They expose the enmeshment between the living and non-living, organic and inorganic, and, ultimately, life and death. Instead of examining the defining criteria of life, bioartistic practices explore and enact life as processual, differential, and always already uncontainable, thus transcending preconceived material and conceptual boundaries.

    In this way, this doctoral thesis concentrates on the ontology of life as it emerges through the selected bioartworks: “semi-living” sculptures created by The Tissue Culture and Art Project and the performance May the Horse Live in Me (2011) by L’Art Orienté Objet. The hope is that such an ontology can enable future conceptualisations of an ethico-politics that avoids the anthropocentric logic dominant in the humanities and social sciences.

  • 24.
    Radomska, Marietta
    Linköping University, Faculty of Arts and Sciences. Linköping University, The Tema Institute, The Department of Gender Studies.
    Wasting Life: An Ethico-Aesthetics of the Non/Living2014Conference paper (Refereed)
  • 25. Radomska, Marietta
    Zoosemiotics as a new perspective2006In: Homo Communicativus, ISSN 1896-3099, no 1, 71-77 p.Article in journal (Other academic)
  • 26.
    Radomska, Marietta
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Zylinska, Joanna, Minimal Ethics for the Anthropocene, Ann Arbor: Michigan Press/Open Humanities Press, 2014, 152 pp. ISBN 97816078532992015In: philoSOPHIA, ISSN 2155-0891, Vol. 5, no 2, 315-317 p.Article, book review (Other academic)
    Abstract [en]

    In both its form and composition , Minimal Ethics for the Anthropocene (2014) by Joanna Zylinska is a short, original, and elegant book, the aim of which, as the author emphasizes, is to “tell a different story about the world and our human positioning in and with it, while taking seriously what science has to say about life and death” (Zylinska 2014, 11). The book consists of ten chapters, each of which can be seen as an independent essay representing one element of the overall argument and thus constituting a possible entry point.

  • 27.
    Radomska, Marietta
    et al.
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Glosowitz, Monika
    NOWE RELACJE, POŁĄCZENIA ORAZ TRANSFORMACJE: interview with Marietta Radomska2012Other (Other (popular science, discussion, etc.))
  • 28.
    Radomska, Marietta
    et al.
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Henriksen, Line
    Linköping University, The Tema Institute, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Missing Links and Non/Human Queerings: an Introduction2015In: Somatechnics, ISSN 2044-0138, Vol. 5, no 2, 113-119 p.Article in journal (Refereed)
    Abstract [en]

    In recent years, questions regarding the ontological status of the human have been raised with renewed interest and imagination within various fields of critical thought. In the face of biotechnological findings and increasingly advanced technologies that connect as well as disturb settled boundaries, whether geographical or bodily, not to mention philosophical questionings of traditional western humanism, the boundaries of the human subject have been contested. The human body, traditionally imagined as closed and autonomous, has been opened up to a world of forces and agencies that are strange, other and often deeply disturbing when viewed from an anthropocentric standpoint.

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