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  • 1.
    Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Feminist Seaweed Cultures: Algae as tool for reshaping aquatic relationships between humans and oceans2024In: Journal of Agricultural and Environmental Ethics, ISSN 1187-7863, E-ISSN 1573-322XArticle in journal (Refereed)
  • 2.
    Elgh, Caroline
    et al.
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Åsberg, Cecilia
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Posthumanism: Sällsamma släktskap och vattenvärldar2024Conference paper (Other academic)
  • 3.
    Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Skogen under vattenytan: Ingela Ihrmans algkroppar i en tid av ekologisk kris2024In: Ekologisk Konstvetenskap / [ed] Anna-Maria Hällgren & Dan Karlholm, Huddinge: Södertörns högskola, 2024, p. 75-99Chapter in book (Refereed)
  • 4.
    Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Tracing 'Chthulucene Environmental Imaginations' in Contemporary Art: The Speculative in the Work of Larissa Sansour and Johannes Heldén2024In: Nordic Speculative Fiction: Research, Theory, and Practice / [ed] Jyrki Korpua, Aino-Kaisa Kostinen, Hanna-Riikka Roine and Marta Mboka Tveit, London: Routledge , 2024Chapter in book (Refereed)
  • 5.
    Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    A Curatorial Journey Across Coastlines and Media: Science Fiction and Visual Art as Chthulucene types of Coastal Imaginations in Times of Ecological Crises2023Conference paper (Other academic)
  • 6.
    Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    A Curatorial Journey Across Coastlines and Media: Science Fiction and Visual Art as Chthulucene types of oceanic imaginaries in times of ecological crises2023Conference paper (Other academic)
  • 7.
    Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Coastal Imaginations & Intermedialities: The art exhibition as a response to present planetary environmnetal disruptions2023In: State of the Art: Elements for Critical Thinking and Doing / [ed] Erich Berger, Marie Keski-Korsu, Marietta Radomska and Line Thastum, Bioart Society , 2023, p. 177-185Chapter in book (Other academic)
    Abstract [en]

    Whilst the effects of climate change have become increasingly clear, a growing number of visual artists have turned towards watery concepts and materials linking ocean and human lives as one, instead of turning to humanistic explanations of separation. Consequently, several exhibitions that engage with water have opened during later years that in diverse ways relate to ecology, aquaculture, migration, futurism, extinction, embodiment, etc. This book chapter approaches five artworks on display at Nordic contemporary art museums autumn 2022, that acknowledge the ocean, and more particularly the coastline. These artworks can be described as intermedial, immersive or even multisensory which means that thay embrace a mix of medias and sensory experiences in relation to the coastline. As such the artworks emerge in-between the fields of art, theatre, music, film and architecture. 

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    fulltext
  • 8.
    Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Bildkonst, hav och genus i en tid av ekologisk kris2022Other (Other (popular science, discussion, etc.))
    Abstract [sv]

    Den här krönikan skriven för organisationen Genus i Museers hemsida uppmärksammar museers relation till havet och havsekologier. Med fokus på bildkonst diskuterar krönikan hur feministiska teoripraktiker inom havs- och posthumaniora kan skapa nya världsbilder och förhållningssätt där sambanden mellan natur och kultur, land och hav, vattenkropp och människokropp, fantasi och vetenskap blir till centrala delar i museers medvetande.  

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    Bildkonst, hav och genus i en tid av ekologisk kris
  • 9.
    Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Environmental imaginaries in contemporary art2022Conference paper (Other academic)
  • 10.
    Åsberg, Cecilia
    et al.
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Fredengren, Christina
    Konstvetenskapliga Institutionen: Kultuvård, Uppsala Universitet.
    Peterson, Jesse
    Ekologi, Statens Lantbruksuniversitet.
    Holmstedt, Janna
    Forskningsavdelningen, Statens Historiska Muséer.
    Klingborg Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Gunnarsson Östling, Ulrika
    SEED - Sustainable Development And Environmental Engineering, KTH Kungliga Tekniska Högskolan, Stockholm.
    Avila, Martin
    Design, Konstfack.
    More-than-human feminisms across arts and sciences2022In: SHAPING HOPEFUL FUTURES IN TIMES OF UNCERTAINTY:: THE CHALLENGES AND POSSIBILITIES OF GENDER STUDIESThe 5th national conference for gender studies in Sweden, 26-28 October 2022, Karlstad. / [ed] Ulf Mellström, Karlstad: Karlstads universitet, 2022, Vol. 5Conference paper (Other academic)
    Abstract [en]

    More-than-human feminisms across arts and sciences

    Feminist theories have long been concerned with the violent impact of (normative) Universal Man on society and nature, aconsequence of a modern phantasy divide between Nature and Culture. In this planetary era some call the Anthropocene, it isclearer to us how the environment is in us, and we humans are fully in the environment. The modern Nature/Culture divideimplodes violently on itself. For too long those regarded as less cultured, less-than-human and particularly nonhumans,like the very ecologies that sustains us, have been approached as mere resours or background for Universal Man. What canbe done - in practice, in thinking and in scholarship in such a situation?The present postnatural situation disrupts modern figurations of thought and scholarly practice, and begs new ones. Withclimate change, oceanic disturbance, habitat loss and rampant species extinction on the one hand, and new syntheticbiologies, technobodies and algorithms we live by on the other, it asks feminist sciences and arts for extradisciplinaryresponses, for new designs of practice.No longer can a division of academic labour be sustained, where technoscience does naked facts, use/abuse nonhumans andextract raw nature while artistic research, humanities and social science does culture, ethics and politics. Spurred by morethan-human feminisms, thicker forms of situated knowing have already emerged, for instance as practices of critical, creativeand feminist posthumanities.Such more-than-human humanities come in response to the pressing need to a) alter and decolonize such dividing knowledgeforms and to b) change the very ways we think, eat, and live with nonhumans in society. Sharing a Darwinian feeling forhow everything is connected, critically and creatively, with a relational ethics of care and concern, more-than-humanfeminisms and postdisciplinary disciplines, have paved way for environmental humanities and other more-than-human formsof the posthumanities. What are the stakes and challenges in these transformations? Why do we need them? And whatfeminist genealogies gets recognized?

    G22 Round-table panel, convened by Cecilia Åsberg and The Posthumanities Hub.

    Participants:

    Cecilia Åsberg1 , Marietta Radomska2 , Christina Fredengren3 , Jesse Peterson4 , Janna Holmstedt5 , Caroline KlingborgElgh 6  and Martin Avila7

    1)Professor, Docent, Professor, Tema: Tema Genus, Linköpings Universitet

    2) Fil Dr, Biträdande Lektor, Tema: Tema Genus, Linköpings Universitet

    3) Professor Konstvetenskapliga Institutionen: Kulturvård, Uppsala Universitet

    4) Fil Dr, Postdoktor, Tema Genus, Linköpings universitet and postdok Ekologi, Statens Lantbruksuniversitet

    5) Fil Dr, Forskare, Forskningsavdelningen, Statens Historiska Muséer

    6) MA, Doktorand, Tema: Tema Genus, Linköpings Universitet

    7) Professor, Dr, Professor, Design, Konstfack

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    More-than-human feminisms
  • 11.
    Åsberg, Cecilia
    et al.
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Radomska, Marietta
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Fredengren, Christina
    Uppsala universitet.
    Peterson, Jesse
    Statens Lantbruksuniversitet.
    Holmstedt, Janna
    Statens Historiska Muséer.
    Klingborg Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Gunnarsson Östling, Ulrika
    KTH Kungliga Tekniska Högskolan.
    Avila, Martin
    Konstfack.
    More-than-human feminisms across arts and sciences2022In: G22 Conference - Shaping Hopeful Futures in Times of Uncertainty: The Challenges and Possibilities of Gender Studies / [ed] Cecilia Åsberg, Karlstad, 2022, Vol. 1Conference paper (Refereed)
    Abstract [en]

    Feminist theories have long been concerned with the violent impact of (normative) Universal Man on society and nature, aconsequence of a modern phantasy divide between Nature and Culture. In this planetary era some call the Anthropocene, it isclearer to us how the environment is in us, and we humans are fully in the environment. The modern Nature/Culture divideimplodes violently on itself. For too long those regarded as less cultured, less-than-human and particularly nonhumans,like the very ecologies that sustains us, have been approached as mere resours or background for Universal Man. What canbe done - in practice, in thinking and in scholarship in such a situation?The present postnatural situation disrupts modern figurations of thought and scholarly practice, and begs new ones. Withclimate change, oceanic disturbance, habitat loss and rampant species extinction on the one hand, and new syntheticbiologies, technobodies and algorithms we live by on the other, it asks feminist sciences and arts for extradisciplinaryresponses, for new designs of practice.No longer can a division of academic labour be sustained, where technoscience does naked facts, use/abuse nonhumans andextract raw nature while artistic research, humanities and social science does culture, ethics and politics. Spurred by morethan-human feminisms, thicker forms of situated knowing have already emerged, for instance as practices of critical, creativeand feminist posthumanities.Such more-than-human humanities come in response to the pressing need to a) alter and decolonize such dividing knowledgeforms and to b) change the very ways we think, eat, and live with nonhumans in society. Sharing a Darwinian feeling forhow everything is connected, critically and creatively, with a relational ethics of care and concern, more-than-humanfeminisms and postdisciplinary disciplines, have paved way for environmental humanities and other more-than-human formsof the posthumanities. What are the stakes and challenges in these transformations? Why do we need them? And whatfeminist genealogies gets recognized?This lively round-table talk brings diverse scholars together for a spirited conversation on the usefulness and potential impactof feminist theorizing on sustainability, design, and on how to bring art and science to the social humanities, and insights tothe people living in a more-than-human world. It will be fun, but deadly serious.  

  • 12.
    Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Tracing Environmental Imaginaries in Contemporary Art:: The Seaside2022Conference paper (Other academic)
  • 13.
    Klingborg Elgh, Caroline
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    Science Fiction as Imaginary Laboratory and Mirror of Our Times2019In: Kosmologiska pilar / [ed] Caroline Elgh & Jerry Määttä, Stockholm: Art and Theory Publishing , 2019, p. 13-23Chapter in book (Other academic)
  • 14.
    Elgh, Caroline
    et al.
    Bonniers konsthall ; Stockholms universitet.
    Fänge, Jens
    A Soft Machine: Jens Fänge and Caroline Elgh Klingborg in Conversation2018In: Jens Fänge Drömmarna / [ed] Magnus af Petersens och Caroline Elgh, Stockholm: Bonniers Konsthall / Art and Theory Publishing , 2018, p. 179-185Chapter in book (Other academic)
  • 15.
    Elgh, Caroline
    et al.
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    García, Dora
    Dora García I Always Tell the Truth2018In: I Always Tell the Truth / [ed] Caroline Elgh, Stockholm: Art and Theory Publishing , 2018, p. 13-56Chapter in book (Other (popular science, discussion, etc.))
  • 16.
    Elgh, Caroline
    Bonniers konsthall ; Stockholms universitet.
    A Meeting with the Artists in Sprout from White Nights2008In: Spirande vita nätter / [ed] Hu Fang, Stockholm: Bonniers Konsthall , 2008Chapter in book (Other (popular science, discussion, etc.))
1 - 16 of 16
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