liu.seSearch for publications in DiVA
Change search
Refine search result
3456789 251 - 300 of 643
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • oxford
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
Select
The maximal number of hits you can export is 250. When you want to export more records please use the Create feeds function.
  • 251.
    Hübinette, Tobias
    et al.
    Södertörns högskola, Pedagogik, Sweden.
    Lundström, Catrin
    Umeå universitet, Umeå centrum för genusstudier (UCGS), Sweden.
    Den svenska vithetens melankoli2011In: Glänta, ISSN 1104-5205, Vol. 2, no 19, p. 28-35Article in journal (Other (popular science, discussion, etc.))
  • 252.
    Igelström, Peter
    Linköping University, University Library.
    Dupondtarnas fåfänga2013In: Tintinism - årsbok Generation T, ISSN 2000-6640, Vol. 6, p. 61-68Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    I Hergés seriealbum om Tintin fungerar kläderna ofta som en viktig markör för de olika figurernas karaktär. De två detektiverna Dupont och Dupond framställs som inkompetenta och klantiga och som oftast oförmögna att lösa sina uppdrag. Artikeln analyserer hur deras personligheter återspeglas i deras relation till kläder. Dupondtarnas sätt att klä sig tyder på både fåfänga och på bristande flexibilitet. Då Hergés far och farbror allmänt anses ha stått som modeller för Dupondtarna kan man spekulera i att bilden av detektivernas relation till kläder hade en djupare psykologisk resonansbotten hos deras upphovsman.

  • 253.
    Igelström, Peter
    Linköping University, University Library.
    ”Småningom började det likna ett bibliotek”2018In: Ett bibliotek i takt med tiden: Linköpings universitetsbibliotek 50 år / [ed] Peter Igelström och Christina Brage, Linköping: Linköpings universitetsbibliotek , 2018, p. 8-11Chapter in book (Other academic)
    Abstract [sv]

    ”Det fanns inga hyllor och inga böcker.” Det bibliotek som startade 1967 för att betjäna den nyinrättade universitetsfilialen på Sveagatan i Linköping var  till en början kanske inte så mycket att skryta med. Detta åtminstone enligt vittnesmål från dem som var med om bibliotekets första uppbyggnadsfas. Det inledande citatet härstammar från en av de allra första på plats, Monika Rudbeck.

    Filialer i en rad städer utanför de traditionella universitetsorterna var ett sätt för statsmakterna att möta de ökande behoven av högre utbildning i 1960-talets Sverige. Varje filial var underordnad ett av de redan etablerade lärosätena. I Linköpingsfilialens fall var det Stockholms universitet som utgjorde huvudman. Ännu idag finns det böcker i Linköpings universitetsbiblioteks samlingar som berättar om denna tid. En oval stämpel med texten ”Stockholms universitet – Kursbibl. i Linköping” skvallrar om LiUB:s ursprung...

  • 254.
    Ingemark, Anna
    Linköping University, Department of Culture and Communication, Culture and Aesthetics. Linköping University, Faculty of Arts and Sciences.
    Den iscensatta lyckan - hemmet som privat och offentlig sfär2019In: Tankar om lycka: Några kulturvetenskapliga forskares perspektiv / [ed] Kjell O. Lejon, Stockholm: Carlsson Bokförlag, 2019, p. 166-194Chapter in book (Other academic)
  • 255.
    Isaksen, Arne
    et al.
    Univ Agder, Norway.
    Hermelin, Brita
    Linköping University, Department for Studies of Social Change and Culture, Centre for Municipality Studies – CKS. Linköping University, Faculty of Arts and Sciences.
    Knutsen, Hege Merete
    Univ Oslo, Norway.
    Joranli, Ingvild
    Labour Markets and the Geography of Firm Learning2019In: Norsk Geografisk Tidsskrift, ISSN 0029-1951, E-ISSN 1502-5292Article, book review (Other academic)
    Abstract [en]

    n/a

  • 256.
    Ivenäs Dyverfeldt, Sabina
    Linköping University, Department of Culture and Communication, Language and Literature. Linköping University, Faculty of Arts and Sciences. University of Washington, WA 98195 USA.
    White Like Me: Whiteness in Scandinavian Transnational Adoption Literature2017In: Scandinavian Studies, ISSN 0036-5637, E-ISSN 2163-8195, Vol. 89, no 2, p. 240-265Article in journal (Refereed)
    Abstract [en]

    n/a

  • 257.
    Jaarsma, Pier
    et al.
    Linköping University, Department of Medical and Health Sciences, Division of Health Care Analysis. Linköping University, Faculty of Medicine and Health Sciences.
    Welin, Stellan
    Linköping University, Department of Culture and Communication, Arts and Humanities. Linköping University, Faculty of Arts and Sciences.
    Autism, Accommodation and Treatment: A Rejoinder to Chong-Ming Lims Critique2015In: Bioethics, ISSN 0269-9702, E-ISSN 1467-8519, Vol. 29, no 9, p. 684-685Article in journal (Other academic)
    Abstract [en]

    We are very grateful to Chong-Ming Lim for his thoughtful reply published in this journal on one of our articles, which motivated us to think more carefully about accommodating autistic individuals and treating autism. However we believe there are some confusions in Lims argument. Lim uses the accommodation thesis, according to which we should accommodate autistic individuals rather than treat autism, as the starting point for his reasoning. He claims that if the accommodation thesis is right, then we should not treat autistic individuals for their autism, not even low-functioning (i.e. intellectually disabled) ones, because this would be disrespectful to all autistic individuals. We should instead limit ourselves to accommodate all autistic individuals. However, the opposition between accommodation and treatment is not valid in the case of autism, because of ambiguity in the concepts of accommodation and treatment. Moreover there is confusion in Lims reasoning caused by omitting important facts about the practice of treating autism.

  • 258.
    Johannesson, Lena
    Linköping University, The Tema Institute, Department of Communications Studies. Linköping University, Faculty of Arts and Sciences.
    Om skolplanschsamlingen och skolmuseet i Gamla Linköping: en antologi i samarbete med Konsthistoriska Klubben, Gamla Linköping och Linköpings universitet1996Collection (editor) (Other academic)
  • 259.
    Johansson Agnafors, Marcus
    Linköping University, Department of Culture and Communication, Arts and Humanities. Linköping University, Faculty of Arts and Sciences.
    The harm argument against surrogacy revisited: two versions not to forget2014In: Medicine, Health care and Philosophy, ISSN 1386-7423, E-ISSN 1572-8633, Vol. 17, no 3, p. 357-363Article in journal (Refereed)
    Abstract [en]

    It has been a common claim that surrogacy is morally problematic since it involves harm to the child or the surrogate-the harm argument. Due to a growing body of empirical research, the harm argument has seen a decrease in popularity, as there seems to be little evidence of harmful consequences of surrogacy. In this article, two revised versions of the harm argument are developed. It is argued that the two suggested versions of the harm argument survive the current criticism against the standard harm argument. The first version argues that the child is harmed by being separated from the gestational mother. The second version directs attention to the fact that surrogacy involves great incentives to keep the gestational mothers level of maternal-fetal attachment low, which tend to increase the risk of harm to the child. While neither of the two arguments is conclusive regarding the moral status of surrogacy, both constitute important considerations that are often ignored.

  • 260.
    Johansson, Alexander
    et al.
    Linköping University, Department for Studies of Social Change and Culture.
    Burlin Lindqvist, Mårten
    Linköping University, Department for Studies of Social Change and Culture.
    En bekväm och osocial framtid?: En kvalitativ studie om relationer, kommunikation och identitetsskapande i virtuella communitys2010Independent thesis Basic level (degree of Bachelor), 40 credits / 60 HE creditsStudent thesis
    Abstract [sv]

    Den här uppsatsen behandlar virtuella communitys som en plats för social interaktion, kommunikation och identitetsskapande. Syftet med uppsatsen var att utforska hur relationer skapas, hur kommunikationen sker och hur individer framställer sin identitet på Internet. Studien har bedrivits genom en kvalitativ intervjustudie med fokusgrupper och målgruppen har varit unga vuxna i åldern 19-25 år. Som bakgrundsmaterial har vi undersökt tidigare forskning kring virtuella communitys, identitetsskapande, chattande och cyberkultur. Resultatet av studien kom att visa respondenternas användning av virtuella communitys och att dem ser det som en viktig del av det sociala livet. Forskningen visar att det finns många positiva sidor med den virtuella kommunikationen t.ex. anonymiteten, multiple kommunikation och att individer är fysiskt skyddade på grund av okroppslig kontakt. Den visar också nya möjligheter som finns i virtuella communitys och Internet i allmänhet kontra den fysiska världen. Trots att den virtuella kommunikationen spelar stor roll i det sociala livet sågs ändå den fysiska kommunikationen som viktig. Detta eftersom känslomässiga responser och fysiska uttrycks uteblir till stor del på Internet. Forskningen upprätthåller också ny fakta inom ämnet virtuella communitys och visar att användare ser mediet som ett sätt att vara social men ändå inte, något som de kallar “semiaktiv”. Virtuella communitys användes mestadels för att hålla kontakten med vänner, istället för att skapa nya som tidigare forskning mer syftar på.

  • 261.
    Johansson, Björn
    Linköping University, Department of Computer and Information Science, Human-Centered systems. Linköping University, The Institute of Technology.
    Agility in Command and Control - Functional Models of Cognition2014In: Assessing command and control effectiveness: Dealing with a changing World / [ed] P. Berggren, S. Nählinder, E. Svensson, Ashgate, 2014, p. 177-193Chapter in book (Other academic)
  • 262.
    Johansson, Björn
    et al.
    Linköping University, Department of Computer and Information Science, Human-Centered systems. Linköping University, The Institute of Technology.
    Pearce, Paul
    Defence Science and Technology Laboratory, United Kingdom.
    Organizational agility - an overview2014In: Assessing command and control effectiveness - dealing with a changing world / [ed] P. Berggren, S. Nählinder, E. Svensson, Ashgate, 2014, p. 71-83Chapter in book (Other academic)
  • 263.
    Johansson, Fredrik
    Linköping University, Department of Culture and Communication, Arts and Humanities. Linköping University, Faculty of Arts and Sciences.
    Den konstnärliga hanteringen av ljud2011Book (Other academic)
    Abstract [sv]

    Framförallt är det två verk som präglat min bild av ljudkonst. Det första var Åke Hodells Mr Smith in Rhodesia. Det var en omtumlande situation att lyssna på de ljudbilder som verket gav. Innan jag kom i kontakt med Hodell, hade jag ingen klar uppfattning av vad ljudkonst kunde vara - något som alltså förändrades på dryga femton minuter. Innan dess hade jag främst åtnjutit ljudcollage genom Frank Zappas verk. En annan, minst lika omtumlande, upplevelse var att mötajanet Cardiff och George Bures Miller The Murder of Crows vilken spelades på Hamburger Bahnhof 2009. Mitt i den stora utställningssalen gav 98 högtalare ett speciellt tredimensionellt "ambisonic" ljudlandskap. Upplevelsen var total.

    Föreliggande text spårar ljudkonstens historiska bakgrund och de förlopp som bidragit till att det är en gränsöverskridande konstform. Författaren har under flera år intresserat sig for korsbefruktningar mellan populärkultur och kulturell avantgarde. Den mest påtagliga och framgangsrika exempel på detta, menar han, finns just inom sfärerna for avantgardistisk musik och ljudkonst. Det svenska syntbandet / projektet Tivice a Man blir ett intressant exemplifierande stöd i undersökningen. Medlemmarna Dan Söderqvist (1953-) och Ingmar Ljungström (1953-) har sedan mitten av 1980-talet arbetat både inompopulärmusikens domän och samtidigt varit delaktiga i konstprojekt.

    I texten möter vi först ett avsnitt som deftnierar ljudkonstbegreppet, det utvidgade musikbegreppet, samt en teoretisk referensram som främst behandlar den amerikanske sociologen Howard Becker (1928-) som for denstörre massan lanserade Arthur Coleman Dantos (1924-) begrepp "konstvärld".

    Undersökningen är uppdelad i tre delar. Dessa är historiskt och tematiskt indelade. Avsnittens historiska tidsrymd är ungef.irlig. Det är snarare historiska skeden som behandlas i jämforelse med undersökningen av en speciftk tidsperiod. Namnen på avsnitten är baserade på deras respektive tema. Det forsta avsnittet benänu1s "Avantgardet och den populärkulturella konstvärldens framväxt" Tidsrymden for detta avsnitt är från 1910-talet till tidigt 1970-tal. Där avhandlas stilarterna dadaism och futurism, den franske radioingenjören Pierre Schaeffer (1910-1995) samt John Cage. Här diskuteras framväxten av konstnärlig verksamhet inom populärkulturen: experimentell musik, posterkonst och ljusshower.

    Det andra avsnittet benämns "Avantgardistiska tendenser inom populärmusik". Detta avsnitt sträcker sig från det sena 1960-talet till början av 1980-talet. I den här delen av undersökningen behandlas forst och främst populär kulturella band/ artister med experimentella/avantgardistiska tendenser. Undersökningen avhandlar konstnärligt orienterade rörelser samt enskilda aktörer som är tongivande for utvecklingen av den populärkulturella konstvärlden och den konstnärliga hanteringen av ljud. De populärkulturdia rörelserna som står i fokus är punkrörelsen och krautrockrörelsen. Detta avsnitt spårar också aktörer som på ett nyskapande sätt nytgat den populärkulturella konstvärlden som en arena for konstnärlig verksamhet.

    Det tredje avsnittet benämns "Ljudet tar plats i den populärkulturella konstvärlden". Detta avsnitt spänner mellan det tidiga 1980-talet fram till dagens läge. I det här avsnittet fokuseras det främst på en utvecklande diskussion kring den konstnärliga hanteringen av ljud. Populärkulturella stilar i centrum for undersökningen är ambient och industrimusik. Här diskuteras även band/artister som lyckats motstå kommersiella krafter och producerat innovativt och konstnärligt material inom den populärkulturella konstvärlden. Till sist avhandlas den populärkulturella konstvärldens tillstånd i dag samt ljudkonstnärens roll som gränsöverskridande aktör. Efter dessa tre avsnitt foUer det sista kapitlet som utgörs av en avslutande diskussion. D et är relativt få konstvetare som intresserat sig for ljudkonst och dess relation till populärkulturen och forhållande till avantgardemusiken. Därfor är vi glada att kunna ge ut Johanssons text i vår serie Linköping Studies in. Art and Visual Communication.

    Ett problem man ställs infor när det gäller ljudscenen är den påtagliga bristen när det gäller "illustrationer". Ljudbilder låter sig inte tryckas lika lätt som andra typer av referenser. Men ny teknik skapar nya forutsättningar även for äldre medier (såsom t raditionella böcker). Med hjälp av QR-koder eller motsvarande teknik, kan läsaren med hjälp av sin smartphone direkt läsa av och koppla upp sig till Internet - inte enbart kan detta användas till text- och bildreferenser, det geniala här ligger i att man via spotitylänkar kan återlyssna på de exempel fOrfattaren skriver om. QR-lösningen valdes av formgivarna och Spotify-lösningen valdes av forfattaren. Det är inte nödvändigt att lyssna igenom alla verk i spellistan for att forstå texten. Undersökningen och diskussionerna står for sig själva. Däremot skapar det en större forståelse for det som avhandJas, om läsaren har möjlighet att i vart fall partiellt ta del av verken.

    Gary Svensson

    Linköping 2011-03-06

  • 264.
    Johansson, Maria
    Linköping University, Department of Thematic Studies.
    Uppfostran till medborgare i en total institution. En etnografisk studie om regelsystem på en institution för vård av unga2003Independent thesis Advanced level (degree of Magister)Student thesis
    Abstract [sv]

    Uppsatsen handlar om regelsystem i en institution för vård av unga. Syftet med uppsatsen är att ge en ökad förståelse för och få kunskap om behandling samt skolverksamhet på en institution för ungdomar med fokus på regelsystem, regelöverträdelser och personalens bemötande av dessa. Uppsatsen är etnografisk och resultatet bygger på en två veckor lång observationsperiod på en institution för vård av unga. Teorin bygger på Goffmans bok Totala institutioner- fyra essäer om anstaltslivets sociala villkor. Goffman menar att en total institution kännetecknas av inneslutande tendenser, dessa har jag försökt att applicera på resultatet. I resultatet visas till exempel att institutionen Skogbys regelsystem är centrala i verksamheten och att regelöverträdelserna beivras med hjälp av utebliven belöning.

  • 265.
    Johansson, Marit
    Linköping University, Department for Studies of Social Change and Culture, Department of Culture Studies – Tema Q. Linköping University, Faculty of Arts and Sciences.
    Life in a World Heritage City: A case study of discussions and contested values in Angra do Heroísmo, the Azores2015Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The objectives of this study are to critically map and analyse past and current  discussions, negotiations and social processes that take place and relate to conditions created by living in- or monitoring the World Heritage City Angra do Heroísmo in the Azores, Portugal. Based on ethnographic fieldwork and qualitative interviews with the stakeholders in the city, the purpose has been to study how, and with what result and consequences, contested values, interests, rhetoric and powers are mobilized and made into dynamic forces for these stakeholders. Hence, this thesis gives a chronological presentation of selected issues and discussions, which have been taking place in the city from 1980 to 2012. The first subjects attended to are the 1980 earthquake and the nomination process which led to the inscription of Angra to the World Heritage List in 1983.

    However, some of the core objectives relate to the implications of living in a World Heritage City, given the preservation provisions which follow such a classified area. The aim has further been to assess the point of departure for the official monitors and their views on monitoring a vibrant historical area. The discussions analysed relate to the predicaments occurring when modern development is set up against preservation. However, the analyses show how policies and preservation ideals change, as well as how powers and authorities are challenged and affected by forces within and outside the “authorized heritage discourse”. Finally, this study has assessed the notions of pride, local attachment and identity among the inhabitants in Angra. The World Heritage Status can trigger a double sense of feelings; on the one side it holds emotions related to pride and recognition, on the other it represents obstacles for living- and developing the city in accordance with the present needs.

    World Heritage and tourism are closely linked, and this investigation explores how the stakeholders in Angra relate to the possibilities and threats which tourism holds. Angra represents a site where there is a limited influx of tourist, and we can see how most stakeholders speak for a quality-based tourism. In this respect, one could say there is a prevailing consensus among the stakeholders. Finally, this study has assessed the notions of pride, local attachment and identity among the inhabitants in Angra. These sensations are related to the historical cityscape, an environment which also frames personal experiences and processes. The World Heritage Status can trigger a double sense of feelings; on the one side it holds emotions related to pride and recognition, on the other it represents obstacles for living- and developing the city in accordance with the present needs. Angra do Heroísmo is studied for its particularities, yet comparisons made with other studies reveal that the matters and aspects addressed in this thesis can be universal rather than particular.

  • 266.
    Johansson, Niclas
    Linköping University, Department of Culture and Communication. Linköping University, Faculty of Arts and Sciences.
    De utvalda: om antisemitism i Sverige2013Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The essay is about how four Jewish people experience anti-Semitism in Sweden. They answered questions related to two themes, anti-Semitism and Israel Criticism / anti-Zionism.

    The informants have not personally been subjected to anti-Semitism widely, but they feel that anti-Semitism is more prevalent in other parts of Sweden.

    Criticism of Israel is experienced as anti-Semitism when it is unbalanced and when the media blames Jews collectively for what is happening in Israel / Palestine. They see no reason to criticize Zionism because it is about a Jewish self-determination. A couple of respondents believe that Zionism is so strongly associated with Jewish tradition that anti-Zionism automatically becomes hostile towards Jews.

  • 267.
    Johnson, Ericka
    Linköping University, Department of Thematic Studies, The Department of Gender Studies. Linköping University, Faculty of Arts and Sciences.
    En livmoder, en fettkudde och vetenskaplig sanning2019In: Ett kalejdoskop av kunskap: Sveriges unga akademi om vetenskap och samhälle / [ed] David Håkansson, stockholm: Santérus Förlag, 2019, p. 57-68Chapter in book (Other (popular science, discussion, etc.))
    Abstract [sv]

    Vad har vi egentligen för glädje av guldnanopartiklar? Men förbluffande användningsområden kan öppna sig. Och vilken är artrikedomens betydelse för ekosystemen, vad är det som gör att vi behöver så många, av så många? Sidospår i forskningsfält har lett till överraskande upptäckter och en del har transformerat samhället. Men goda idéer kan också vara överraskande svåra att realisera, ta det här med artificiell spindeltråd till exempel! Vad kan en genusforskare illustrera för oss med hjälp av en livmodersattrapp tillverkad för amerikanska läkarstudenter? Vad rör sig i huvudet på våra yngre, ledande forskare? Om vi ser oss omkring kan vi märka att en stor del av det vi ser i samhället har sitt ursprung i en forskaridé.

  • 268.
    Johnsson, Hilda
    Linköping University, Department of Culture and Communication. Linköping University, Faculty of Arts and Sciences.
    Man vill ju veta vad som finns där ute...: En studie om unga människors val inför framtiden2013Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    In this paper, I have chosen to write about young women's thoughts on career, family life and identity. These substances are things that I think most people are experiencing or have experienced that there are many thoughts and questions about, and I want through my study give these women's view of how to get the puzzle of life go together and how ideas about identity, career and family around this might look like. I will write about this from two points of view, and from the individual level, where I use my interviews to talk about my informant thoughts, and from a broader perspective where I put narratives in a wider context, but the focus is on young people's situation in Sweden.

  • 269.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Afrika sover inte2011In: Svartvitt, ISSN 0284-7191, Vol. 17, no 1, p. 4-6Article in journal (Other (popular science, discussion, etc.))
  • 270.
    Jonsson, Stefan
    Linköping University, Department of Social and Welfare Studies, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    An Aesthetic Education of Social Theory: Some Comments on Robin Wagner-Pacifici’s What is an Event?2018In: Distinktion Scandinavian Journal of Social Theory, ISSN 1600-910X, E-ISSN 2159-9149, Vol. 19Article in journal (Refereed)
    Abstract [en]

    An essay on Robin Wagner-Pacifici's 'What Is and Event?' (2017). The essay argues that Wagner-Pacifici's book offers a platform from which it again becomes possible to rethink the relationship between system and transformation, and that this is precisely what the human and social sciences need if they are to retain their ability to critically interpret the dense fabric of late capitalist society and culture – a society of the spectacle if there ever was one, a world from heel to head made up by events. The essay assess Wagner-Pacifici's analytical apparatus of political semiosis, and it shows that aesthetics, and literary and visual interpretation, to a large extent explains why Wagner-Pacifici can make a tremendous contribution to a theory of political emergence. Finally, the essay argues that aesthetic theory offers an intersection where social theory and the theory of history may begin a new conversation about human agency, social change and historical experie

  • 271.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Bad Patriots: Universality, Aesthetics, and the Historicity of Democracy2015In: Democracy in Dialogue, Dialogue in Democracy: The Politics of Dialogue in Theory and Practice / [ed] Katarzyna Jezierska and Leszek Koczanowicz, London: Ashgate, 2015, p. 121-138Chapter in book (Refereed)
    Abstract [en]

    Stefan Jonsson argues that democracy and dialogue are interrelatedterms that take on different meanings with the shift of context. Hence, he choosesto use them as “processual forms of thought and action” helpful in casting light onthe discussion of non-Western notions of universalism, collective political action,and issues of multiculturalism in Western societies. He also brings to the forethe question of democratic and dialogic subjects as subjects “without qualities,”potentially open to multiplicity and otherness. This normative idea, he argues, isreadily found in aesthetic representations.

  • 272.
    Jonsson, Stefan
    Linköping University, Department of Social and Welfare Studies, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Clashing internationalisms: east European narratives of west European integration2016In: Europe faces Europe: narratives from its eastern half / [ed] Johan Fornäs, Bristol: Intellect Ltd., 2016Chapter in book (Refereed)
    Abstract [en]

    This chapter analyzes how West European integration was viewed in communist Eastern Europe at the time of the foundation of the EU. Throughout the period from the Schuman declaration and the creation of the European Coal and Steel Community in 1951 to the Treaty of Rome and the establishment of the European Economic Community in 1957, Moscow, Berlin, Prague, Budapest, and Warsaw reacted, in part by criticizing the West European integration project as a continuation of Europe’s imperial and capitalist past, in part by projecting ideas for a wholly different European and global integration project. While this debate was patterned on the cold war logic and the clash between capitalist and communist ideologies, it also contained a profound – and lasting – dispute regarding Europe’s geopolitical position and role, especially in relation to its African colonies. After the fall of the communist East, this dispute was apparently settled to the West’s favor, and it was then forgotten. Yet, varieties of the same dispute today reappear as the EU seeks to develop a foreign policy and global mission for the twenty-first century. By using sources mainly from the Soviet Union and the German Democratic Republic that have so far been largely neglected in scholarship, the chapter evinces a East-European narrative about Europe’s calling and destiny that merits particular attention in today’s emerging pluricentric world order.

  • 273.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Crowds and Democracy: The Idea and Image of the Masses from Revolution to Fascism2013Book (Refereed)
    Abstract [en]

    Between 1918 and 1933, the masses became a decisive preoccupation of European culture, fueling modernist movements in art, literature, architecture, theater, and cinema, as well as the rise of communism and fascism and experiments in radical democracy. Spanning aesthetics, cultural studies, intellectual history, and political theory, this volume unpacks the significance of the shadow agent known as "the mass" during a critical period in European history. It follows its evolution into the preferred conceptual tool for social scientists, the ideal slogan for politicians, and the chosen image for artists and writers trying to capture a society in flux and a people in upheaval. This volume is the second installment in Stefan Jonsson's epic study of the crowd and the mass in modern Europe, building on his work in  A Brief History of the Masses, which focused on monumental artworks produced in 1789, 1889, and 1989.

  • 274.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society.
    Das Herz des Nordens2014In: Wespennest: Zeitschrift für brauchbare Texte und Bilder, ISSN 1012-7313, no 167, p. 64-71Article in journal (Refereed)
  • 275.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Det mångkulturella samhället1997In: Antirasistiskt lexikon / [ed] Lena Larsson, Stockholm: Utbildningsförlaget Brevskolan , 1997, p. 74-80Chapter in book (Other (popular science, discussion, etc.))
  • 276.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Det pågående kriget2014In: Arena texter 93-13 / [ed] Malena Rydell, Stockholm: Atlas , 2014, p. 196-216Chapter in book (Other (popular science, discussion, etc.))
  • 277.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Dialog, walka, universalnosc: Uwagi o historycznosci demokracji2015In: Miedzy rozumieniem a porozumieniem: Eseje o demeokracji niekonsensualnej / [ed] Leszek Koczanowicz, Katarzyna Liszka, Rafal Wlodarczyk, Warszawa: Wydawnictwo Naukowe, PWN , 2015, p. 21-36Chapter in book (Refereed)
    Abstract [en]

    Dialogue and democracy are terms that scatter meaningand breed confusionacross various scholarly disciplines, domains of public discourse, and areas of human action. This is because “dialogue” and “democracy” fulfill different functions and have different significations depending on the context in which they appear and are activated. Needless to say, these terms cannot be confined to political science or political theory in any strict sense. In this chapter I approach them from at least four different points of reference, which will turn out to be closely related.

    First, in a theoretical sense, I will argue that “dialogue” and “democracy” relate to the crucial possibility of articulating notions of universality that do not confirm Western ideologies of universalism. Second, in a more historical sense, I will demonstrate that both terms are central to any historical investigation of collective political actions and the various crowd theories that have been developed within the European social sciences for the purpose of explaining such actions (Jonsson, 2008, 2013). In a third register, the thematic of dialogue and democracy broaches the problem of the relation of aesthetics and politics in a way that helps us rethink the notion of universality as a particular articulation of aesthetics. In a fourth sense, “dialogue” and “democracy” obviously encapsulate and animate the contentious contemporary debate on the possibilities or presumed dangers of cultural diversity and multiculturalism in Western societies, and here I will argue that discussions of democracy and dialogue are therefore of particular relevance for understanding the position of the intellectual in these cultural debates and struggles.

  • 278.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Digaale, världens centrum1996In: Ord och bild, ISSN 0030-4492, E-ISSN 1402-2508, Vol. 105, no 5-6, p. 42-44Article in journal (Other (popular science, discussion, etc.))
  • 279.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Dummy (1997–2003)2012In: Tupilakosaurus: An Incomplete(able) Survey of Pia Arke's Artistic Work and Research / [ed] Kuratorisk Aktion, Köpenhamn: Kuratorisk Aktion , 2012, p. 276-276Chapter in book (Other academic)
    Abstract [da]

    En kortlægning af Pia Arkes samlede værk, praksis og metode. I essays og billeder dokumenteres, hvordan Arke viede sin kunstneriske praksis til at bryde den tavshed, der omgiver de historiske forhold mellem Danmark og Grønland. Dvd-videoen indeholder fire videoværker af Pia Arke.

  • 280.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Efter individualiteten: Freuds masspsykologi och Weimarrepublikens politik2015In: Divan. Tidskrift för psykoanalys och kultur, ISSN 1101-1408, Vol. 25, no 1–2, p. 62-77Article in journal (Refereed)
    Abstract [sv]

    I Freuds 'Masspsykologi och jaganalys' görs begreppet massa till en fundamental epistemologisk kategori som förklarar vad som håller samhällen samman eller bringar dem i upplösning. Freuds teori för oss ut i en aldrig tidigare kartlagd terräng.

  • 281.
    Jonsson, Stefan
    Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences. Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society.
    Förord2015In: Inga undantag: Värdeskapandet i små och medelstora samtidskonsthallar / [ed] Mikael Löfgren, Göteborg: Nätverkstan , 2015, 1, p. 6-9Chapter in book (Other academic)
    Abstract [sv]

    Varför finns det konst? Och varför är den nödvändig för samhället? Denna essä av Mikael Löfgren kartlägger villkoren för svenska konsthallar inriktade på samtidskonst. Han undersöker deras arbetssätt, finansiering och publik. Samtidskonsthallens del av svensk kulturpolitik må vara liten, dess omedelbara ekonomiska betydelse försumbar, dess tillvaro undanskymd för flertalet. Men granskar man saken närmare framträder konsthallarnas roll som spanare efter alternativa samhällen, laboratorier för nya sätt att leva och sambandscentraler mellan de lokala krafter och globala makter som påverkar hur vi bor, arbetar, känner och lever. Som essän visar kan även små institutioner ha väldig betydelse. Den verksamhet konsthallarna står för tillför samhället med alla dess medborgare något som är lika livsnödvändigt som omätligt och omätbart, nämligen en förmåga att se sig själva och reflektera över sina platser i helheten. I förlängningen bidrar de till att bemyndiga medborgaren och vidmakthålla demokratin.

  • 282.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Il primo uomo: Il Nord, la letteratura e il colonialismo2012In: Lettera internazionale, ISSN 1592-2898, no 111, p. 27-31Article in journal (Other academic)
  • 283.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Kalabalıklar ve Demokrasi: Devrim ve Fasizm Arasında Kitle Fikri ve Imagesi2017In: Kitleleri Yeniden Düsünmek: Hukuk, Siddet ve Demokrasi / [ed] Zeynep Koçak, Istanbul: Istanbul Bilgi Universitesi, 2017, p. 85-100Chapter in book (Refereed)
  • 284.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Man måste försvara allvaret: Ett samtal med Susan Sontag1989In: BLM : Bonniers litterära magasin, ISSN 0005-3198, Vol. 58, no 2, p. 84-93Article in journal (Other (popular science, discussion, etc.))
  • 285.
    Jonsson, Stefan
    Linköping University, Department of Social and Welfare Studies, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Monstruösa historier: utkast till protestens poetik2016In: Historiens hemvist: Vol. 2: Etik, politik och historikerns ansvar / [ed] Patricia Lorenzoni, Ulla Manns, Stockholm: Makadam Förlag, 2016, p. 295-323Chapter in book (Refereed)
    Abstract [en]

    This essay examines a central problem in historiography: how are radical social changes and political transformations represented in history? This problem concerns the figuration of agency and causality in historical explanations of revolutions and periods of sudden social disintegration and reintegration.

    A brief look at historiographies of modernity and modern society shows that ”the crowd” or ”the masses” – or, more generally, popular revolts and uprisings – are often introduced as explanations of such moments of transition. How do such explanations work, in which “the masses” are referred to as a historical causality and agent? To which extent can such explanations be seen as a general feature of histories of modern and contemporary history? These will be important questions in this essay.

    I draw examples and cases from 19th- and 20th-Century European historiography, historical sociology, history of literature and the arts.  In my earlier studies of the category of “the masses” in European political and cultural history, I have noted many such instances, from the French Revolution onward (Canetti offers a very interesting example, which I will perhaps focus on.) To make my discussion more relevant, I will also discuss reports and commentaries on the change and transformations that, allegedly, were generated by spontaneous collective movements in 2011–2013. What can a picture or an eyewitness account of the Tahrir Square in February 2011 tell us about historical causality?

    Underlying the notion of the crowd and the protesting collective as a historiographic motif in histories of modernity, there seems to be a certain understanding of collectivity as a trope or figure that, in a paradoxical sense, is introduced as a device for representing historical moments characterized by radical singularity – moments which are therefore ”unrepresentable” in an epistemological sense. Since masses and multitudes are plural agents marked by boundlessness and heterogeneity, they have apparently served historians well as explanations or causes of events that break existing political and social frames.

    The essay investigates whether this mode of explanation is empirical or figural, or both. Simply put, do crowds and collective revolts really explain historical transitions? Or do they serve mainly as tropes and substitutes, which impute some kind of causality and agency on events that are so complex that they surpass the explanatory power of historical categories or, indeed, of historiography as such?

  • 286.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Museum, Market, or Métissage: Choices for National Policies of Arts and Culture in Times of Globalization2008In: The Nordic Journal of Cultural Policy. Nordisk kulturpolitisk tidskrift, ISSN 1403-3216, Vol. 11, no 2, p. 151-152Article in journal (Refereed)
  • 287.
    Jonsson, Stefan
    Linköping University, Department of Social and Welfare Studies, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Måsarna, monstren och 1968: Till protestens poetik2018In: Ord och bild, ISSN 0030-4492, E-ISSN 1402-2508, no 2–3, p. 11-22Article in journal (Other academic)
    Abstract [sv]

    Gängse historieskrivning behandlar kollektiva protester som länkar i den politiska demokratins historia i mer snäv bemärkelse. Protesten är här ett skiljetecken i en löpande text om hur olika representationsformer inrättas och förändras: rösträtten, partierna, de sociala rörelserna, de lagstiftande församlingarna samt alla andra organisationer, institutioner och instrument varigenom folksuveränen eftersökt ”klädnaden” som ”smiter åt tätt kring folkets kropp”, som Camille Desmoulins säger i Büchners drama Dantons död. Problemet är att historieskrivningen ägnat sig nästan helt åt klädnaden, de politiska formerna. Bara undantagsvis har vi intresserat oss för kroppen, den oformliga, föränderliga och av miljontals lemmar bestående begärsorganism med sitt stora överskott av ”massa”, som bara låter sig representeras partiellt, eller inte alls.

  • 288.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Nationalencyklopedin. 2010: bd. 352011 (ed. 1)Book (Other (popular science, discussion, etc.))
  • 289.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences. Linköping University, Department of Social and Welfare Studies.
    När de vita skär i den svarta tårtan2012In: Dagens Nyheter, p. 1-3Article in journal (Other (popular science, discussion, etc.))
  • 290.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    On Pia Arke2017In: Afterall, ISSN 1465-4253, no 44, p. 10-20Article in journal (Refereed)
    Abstract [en]

    Pia Arke’s work reminds Danes and Europeans of a history they never got to know, or were taught not to know, because it happened overseas. It began to be shown and discussed at the beginning of the 1990s,a period when notions of globalisation offered new models for understanding the dynamics of the world and exposed neglected historical and aesthetic issues. Among the most important of these issues were the colonial legacies of Western European states. In this context, Pia Arke’s interrogations of the suppressed past of Denmark’s relationship with Greenlandbegan to resonate. The daughter of an Inuitseamstress and a Danish telegraphist, shewas born in 1958 in Scoresbysund, orIttoqqortoormiit, Denmark’s outermostcolonial settlement in northeast Greenland.She was from birth entangled in imperialprocesses that endowed her with split visionand multiple identities. These qualitiesanimated her art already in the 1980s, whenshe studied at Copenhagen’s Royal Academy of Fine Arts, and until her untimely death at the age of 48, when she stood on the threshold of international recognition.Pia Arke’s work displayed a mesmerising blend of approaches: painting,photography, montage, video, performance and installation art. Her violation of artistic genres was carefully premeditated. A tastefor the absurdity of scientific collectingbrought her to examine under groundvaults – paleontological and ethnographic archives – stuffed with dusty specimens.She made a mockery of all attempts to represent and classify the natives and nature of the Arctic. Solidarity with the silenced victims of history prompted her to reinvent the art of photography, and to strenuously engage with oral history. She deconstructed ethnography, photography,travel writing, history, landscape painting and much more, and reassembled their elements into multilayered and ambiguous montages conceived in a spirit of criticality and playfulness.

  • 291.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Samtida politisk teori2015Collection (editor) (Other academic)
    Abstract [sv]

    Under de senaste decennierna har den politiska teorin genomgått en radikal förnyelse. I takt med de genomgripande samhällsförändringar som skett sedan 1968 och framåt har nya teoretiska perspektiv utarbetats och nya politiska visioner trätt fram.

    Namnkunniga forskare och intellektuella med bas i Sverige presenterar i föreliggande volym sexton tänkare på den internationella scenen som fördjupat samhällsreflektionen och omprövat de politiska grundbegreppen. Antologin förmedlar några av de viktigaste rösterna inom kritisk politisk teori och förklarar varför de är betydelsefulla för den som önskar förstå sin samtid. Det handlar om stora frågor: hur människor lever och arbetar, hur gemenskaper formas och löses upp, hur makt och motstånd utövas, hur samhällen låter sig styras och vanstyras. Med filosofiskt skarpsinne och politiskt engagemang diskuterar författarna hur dagens politiska och ekonomiska världsordning ger upphov till problem som knappast kan lösas inom dess ramar. Det finns alternativ. Men vilka är de? Hur når vi dit?

    De teoretiker som presenteras i boken är Giorgio Agamben, Alain Badiou, Wendy Brown, Judith Butler, Gilles Deleuze, Terry Eagleton, Nancy Fraser, Donna Haraway, Ernesto Laclau, Walter Mignolo, Chantal Mouffe, Jean-Luc Nancy, Antonio Negri, Jacques Rancière, Gayatri Chakravorty Spivak och Slavoj Žižek.

    Bokens redaktör, Stefan Jonsson, har skrivit en omfattande inledning där han tecknar bakgrunden till den politiska teorins aktuella situation och kontext.

  • 292.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Society Degree Zero: Christ, Crowds, and Communism in the Art of James Ensor2001In: Representations, ISSN 0734-6018, E-ISSN 1533-855X, Vol. 75, no 1, p. 1-32Article in journal (Refereed)
  • 293.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Stjålne kort: Essayistikken som kritik af den geopolitiske fantasi1998In: Passage, ISSN 0901-8883, E-ISSN 1904-7797, no 28/29, p. 89-99Article in journal (Other academic)
  • 294.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Taejung-ŭi yŏksa: se pŏn-ŭi hyŏjntŏng : 1789, 1889, 1989 [Tre revolutioner : En kort historia om folket, 1789, 1889, 1989]2013Book (Other academic)
    Abstract [en]

    Stefan Jonsson uses three monumental works of art to build a provocative history of popular revolt: Jacques-Louis David's The Tennis Court Oath (1791), James Ensor's Christ's Entry into Brussels in 1889 (1888), and Alfredo Jaar's They Loved It So Much, the Revolution (1989). Addressing, respectively, the French Revolution of 1789, Belgium's proletarian messianism in the 1880s, and the worldwide rebellions and revolutions of 1968, these canonical images not only depict an alternative view of history but offer a new understanding of the relationship between art and politics and the revolutionary nature of true democracy.

    Drawing on examples from literature, politics, philosophy, and other works of art, Jonsson carefully constructs his portrait, revealing surprising parallels between the political representation of "the people" in government and their aesthetic representation in painting. Both essentially "frame" the people, Jonsson argues, defining them as elites or masses, responsible citizens or angry mobs. Yet in the aesthetic fantasies of David, Ensor, and Jaar, Jonsson finds a different understanding of democracy-one in which human collectives break the frame and enter the picture.

    Connecting the achievements and failures of past revolutions to current political issues, Jonsson then situates our present moment in a long historical drama of popular unrest, making his book both a cultural history and a contemporary discussion about the fate of democracy in our globalized world.

  • 295.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Faculty of Arts and Sciences.
    Teoria tłumu2015In: Nowa Res Publica, ISSN 1230-2155, Vol. 28, no 4, p. 10-13Article in journal (Refereed)
  • 296.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    The Contained2012In: Eurozine, ISSN 1684-4637, no 27 juliArticle in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Harbour cities as places of immigration and emigration, inclusion and exclusion, develop distinct modes of being that not only reflect different cultural traditions and political and social self-conceptions, but also contain economic potential and communicate how they see themselves as part of the larger structure that is "Europe".

    The container is the universal unit of the global commodity society, facilitating the swift exchange of all kinds of product. Precarity, likewise, connotes a basic form of labour that submissively and flexibly adjusts to any form of employment and system of production.

  • 297.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    The Paintings2012In: Tupilakosaurus: An Incomplete(able) Survey of Pia Arke's Artistic Work and Research / [ed] Kuratorisk Aktion, Köpenhamn: Kuratorisk Aktion , 2012, 1, p. 262-263Chapter in book (Other academic)
    Abstract [da]

    En kortlægning af Pia Arkes samlede værk, praksis og metode. I essays og billeder dokumenteres, hvordan Arke viede sin kunstneriske praksis til at bryde den tavshed, der omgiver de historiske forhold mellem Danmark og Grønland. Dvd-videoen indeholder fire videoværker af Pia Arke.

  • 298.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    The Wisdom of Crowds2014In: TANK Magazine, ISSN 1464-3472, Vol. 8, no 1, p. 62-65Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Stefan Jonsson reminds us that without the uprisings of the 'swinish multitude' there would be no such thing as democracy.

  • 299.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    The World from Below: Documentary Aesthetics in the History of Realism2014In: Noon: An Annual Journal of Visual Culture and Contemporary Art, ISSN 2092-7029, Vol. 5, p. 66-83Article in journal (Refereed)
  • 300.
    Jonsson, Stefan
    Linköping University, REMESO - Institute for Research on Migration, Ethnicity and Society. Linköping University, Department of Social and Welfare Studies. Linköping University, Faculty of Arts and Sciences.
    Tingen vi delar: Historien om Paracastextilierna i Göteborg 1933-20102010Report (Other academic)
    Abstract [sv]

    På de följande sidorna ska jag diskutera  Paracastextilierna i Göteborg.2 Till skillnad från arkeologiska eller etnologiska forskare sträcker jag mig inte efter en tolkning eller förklaring av föremålen som sådana. I stället vill jag kartlägga hur olika institutioner och sammanhang i modern tid laddat textilierna med mening. I första avsnittet diskuterar jag tre olika betydelsesystem som bestämt hur textilierna tolkats under 1900-talet: det etno-arkeologiska, det estetiska och det ideologiska. I nästa parti granskar jag med arkivmaterial som grund hur dessa betydelsesystem också styrde hur Göteborgs museum och från 1946 Etnografiska museet kom att införskaffa, använda och presentera Paracastextilierna. Sedan demonstrerar jag hur den nuvarande utställningen i Världskulturmuseet placerar in textilierna i ytterligare ett betydelsesystem, som kan kallas det politiskt-ekonomiska. Detta leder i sin tur leder till en diskussion om ett eventuellt återförande av textilierna till Peru, ett dilemma som aktualiserar samtliga de diskurser som man under 1900-talet hänvisat till när man velat klargöra Paracastextiliernas mening och värde. Denna diskussion visar också hur Paracastextilierna ställer oss inför några grundläggande frågor om kulturarvets mening. I en avslutande reflexion försöker jag klarlägga jag dessa frågors relevans för Paracassamlingen. Vari består kulturarvets mening? Vilka har rätt att göra anspråk på kulturarvets värden? Vilka är bäst lämpade att förvalta dem?

3456789 251 - 300 of 643
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • oxford
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf