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  • 1.
    Fälton, Emelie
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten.
    Descendants of the modernist museum: tracing the musealisation of Swedish national parks2023Ingår i: Visual Studies, ISSN 1472-586X, E-ISSN 1472-5878, Vol. 38, nr 1, s. 81-100Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Swedish national parks face a shift, transforming them from spaces where tourism is a sub-interest into spaces where tourism is a primary focus. Through the establishment of new instructive installations, the intention is to make these parks Europe’s most popular nature-based tourism destinations. Such installations construct the non-human world, often depicted as nature, and contribute to shaping human understandings of nature. In this article, I seek to trace, make visible, and problematize how knowledge of nature is put to work and how power operates through these installations, but also how the non-human world is produced visually, and how all of this produces specific ways of seeing it. This is enabled by a discourse analysis with visual ethnographic influences, in which I focus on representations with an emphasis on design, content, and posed rationality. The analysis is designed in a reflexive explorative manner, where the empirical context leads the analytical direction while the research process and its steps are presented systematically. Through this analysis, I arguet hat the national parks are transformed into museological organisations similar to the modernist museum, centred around educating visitors by displaying ‘real nature,’ and that this has implications for how the non-human world is understood. The most prominent of these is that a distance is promoted between the tourists and the non-human world.

    Ladda ner fulltext (pdf)
    fulltext
  • 2.
    Fälton, Emelie
    et al.
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten. Linköpings universitet, Institutionen för kultur och samhälle, Avdelningen för kultur, samhälle, form och medier.
    Ignatova, Polina
    Linköpings universitet, Institutionen för kultur och samhälle, Avdelningen för kultur, samhälle, form och medier. Linköpings universitet, Filosofiska fakulteten.
    Journey through Imaginative and Material Landscapes:: Visual Storytelling in the Nordic Myths Exhibition, Nationalmuseum of Sweden2022Ingår i: Imaginative Landscapes in Visual Media, 2022Konferensbidrag (Övrigt vetenskapligt)
    Abstract [en]

    Stories about humans visiting the realms of fairies, trolls, and other supernatural creatures have been present in the folklore for millennia. Recently, Nationalmuseum Jamtli in Östersund, Sweden, has put on display 110 works of art representing Nordic mythology in an attempt to create a similar experience for its visitors. The exhibition includes works by artists such as Elsa Beskow, Carl Larsson, John Bauer, and Ivar Arosenius. Created during the 19thand early 20th centuries, before the advent of modern cinema, these works were made with a largely narrative purpose. Their role was to communicate Nordic culture and heritage to the next generations of Swedes. The proposed paper will provide a twofold analysis of the exhibition. First, we will explore how artists in the 19th and 20th centuries engaged in medievalism and represented the imaginative landscapes of Nordic mythology and sagas. We will also address how these works of art create an image of collective imagined realities of the past generations. Second, we will discuss how the exhibition itself, through its displays, becomes a landscape. While the art represents imaginative landscapes, the exhibition is a material milieu. By analysing the exhibition’s ways of display and the visual storytelling created by the museum, we will contribute to the understanding of how material landscapes can help modern individuals interact with the imaginative landscapes of the past.

  • 3.
    Fälton, Emelie
    et al.
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten. Linköpings universitet, Centrum för klimatpolitisk forskning, CSPR.
    Ignatova, Polina
    Linköpings universitet, Institutionen för kultur och samhälle, Avdelningen för kultur, samhälle, form och medier. Linköpings universitet, Filosofiska fakulteten.
    Miljöproblem i havsmonstrens värld2022Konferensbidrag (Övrig (populärvetenskap, debatt, mm))
    Abstract [sv]

    Denna presentation kommer att bjuda in er till odjurens värld via Netflixs nya barnfilm Havsmonstret. Vi kommer att diskutera hur filmen tar upp viktiga miljöproblem så som tjuvjakt och förlust av biologisk mångfald genom dess porträttering av havsmonster. Dessutom kommer vi att belysa hur relationen mellan det mänskliga och det icke-mänskliga framställs och förkroppsligas genom monstren och deras jägare. 

  • 4.
    Ignatova, Polina
    et al.
    Linköpings universitet, Institutionen för kultur och samhälle, Avdelningen för kultur, samhälle, form och medier. Linköpings universitet, Filosofiska fakulteten.
    Fälton, Emelie
    Linköpings universitet, Filosofiska fakulteten. Linköpings universitet, Centrum för klimatpolitisk forskning, CSPR. Linköpings universitet, Institutionen för kultur och samhälle, Avdelningen för kultur, samhälle, form och medier.
    Miljöproblem i havsmonstrets värld2022Konferensbidrag (Övrig (populärvetenskap, debatt, mm))
  • 5.
    Fälton, Emelie
    et al.
    Linköpings universitet, Institutionen för kultur och samhälle, Avdelningen för kultur, samhälle, form och medier. Linköpings universitet, Filosofiska fakulteten.
    Asplund, Therese
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten.
    Kall, Ann-Sofie
    Linköpings universitet, Institutionen för tema, Tema teknik och social förändring. Linköpings universitet, Filosofiska fakulteten.
    Narratives of the relationship between the human and the non-human within Agenda 20302022Ingår i: Other than Human World: Emerging Vegetal Communication in the Public Space, 2022Konferensbidrag (Övrigt vetenskapligt)
    Abstract [en]

    In 2015, the United Nations member states agreed upon a universal agenda for sustainable development with seventeen belonging goals that are to be achieved by 2030. This agenda, which is generally known as Agenda 2030, is said to provide a shared blueprint for prosperity and peace for all human beings and the planet. It stresses that humans should get the opportunity to enjoy economic, social, and technological progress that occurs in harmony with nature (Desa, U.N, 2015). In other words, the human and the non-human world are enclosed in the agenda, but until now, no studies have focused on how they and the relationship between them are represented within Agenda 2030. This needs to be broadened since such a focus would make it possible to provide insightful reflections on the ontological and epistemological standpoints upon which human understandings of the human, the non-human, and their relationship are grounded (see Maraud & Guyot, 2016; Fletcher, 2016; Fälton, 2021). This study contributes to such broadening by focusing on narratives of the non-human world and its relationship to the human world enabled in Agenda 2030. Through a narrative analysis (e.g., Bruner, 2003; Haraway, 2016) of the text in the agenda, we unravel, make visible, and problematize what stories that occur and how those are told. As part of that analysis, we also discuss the possibilities and limitations of using the concepts of "nature", "the other than human world", "the non-human world", and "the more-than-human world" (see Escobar, 1996; Demeritt, 2002; Soper, 2012) when problematizing global sustainability transformations agreements. Our initial analysis shows that Agenda 2030 is permeated by anthropocentric values (see Lövbrand et al., 2015). This become visible in examples such as portrayals of the non-human world as a product that should be consumed by humans, and representations of the planet as a place that needs to be preserved for the need of present as well as future human generations rather than for its own sake. Another example is the agenda stating that all human beings of the world should be included in and supported by its actions, while only the most endangered species are integrated. Consequently, the separation between the human and the non-human world, creates hierarchies, where some species are presented as more valuable than others, who are being made invisible.

  • 6. Beställ onlineKöp publikationen >>
    Fälton, Emelie
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten. Linköpings universitet, Centrum för klimatpolitisk forskning, CSPR.
    Shapeshifting Nature: Ambivalent Ways of Seeing the Non-Human World within Swedish National Park Tourism and its Visual Culture2021Doktorsavhandling, sammanläggning (Övrigt vetenskapligt)
    Abstract [sv]

    Nationalparker tillskrivs ofta en självklar roll som beskyddare av värdefulla delar av den icke-mänskliga världen, i vardagligt tal omnämnd som natur. Många parker fungerar även som populära turismdestinationer och lockar miljontals turister varje år. Nationalparksturismen och dess visuella kultur påverkar hur människor ser på och relaterar till den icke-mänskliga världen. Hittills har forskning kring sådana sätt att se främst fokuserat på nationalparker i Nordamerika, vilket innebär att forskningens empiriska spridning är begränsad och därmed behöver breddas. I denna avhandling understödjer jag en sådan breddning genom att fokusera på den svenska nationalparksturismen, som just nu genomgår en intensifiering som för fram turismen från skuggorna av de naturskyddsmotiv som länge präglat parkerna. Genom att reda ut, synliggöra och problematisera hur sätt att se den icke-mänskliga världen blir möjliga genom den svenska nationalparksturismen och dess visuella kultur vidgar jag således insikterna i hur vi människor föreställer oss den värld vi kallar natur. Via en diskursanalys har jag identifierat representationer av den icke-mänskliga världen och karaktärsdrag som den tilldelats via representationerna, samt de ontologiska och epistemologiska ståndpunkter som de vilar på. Dessutom har jag reflekterar kring deras produktiva effekter och konsekvenser för hur människor ser på och relaterar till den icke-mänskliga världen. Genom detta har jag identifierat fyra sätt att se, vilka tillsammans framställer den icke-mänskliga världen som en sublim vildmark av nationalistisk karaktär som också fungerar som en nöjes- och utbildningsarena för miljömedvetna turister. Även om dessa sätt att se framställs som samstämmiga vilar de på en spänning mellan de två motstridiga intressena att skydda och använda naturen, vilka förenas genom ett tredje intresse som handlar om att lära känna den. Genom detta blir sätten att se ambivalenta, eftersom de framställer den ickemänskliga världen som en formskiftande natur som intar olika och motstridiga former.

    Delarbeten
    1. The Neverlands of Nature: Exploring Representations of the Non-Human in Visitor Information Publication Material on Swedish National Parks
    Öppna denna publikation i ny flik eller fönster >>The Neverlands of Nature: Exploring Representations of the Non-Human in Visitor Information Publication Material on Swedish National Parks
    2020 (Engelska)Ingår i: Journal of Northern Studies, ISSN 1654-5915, Vol. 14, nr 1, s. 7-34Artikel i tidskrift (Refereegranskat) Published
    Abstract [en]

    In this paper, we distinguish, make visible, and problematize how thenon-human world (often depicted as nature) in Swedish national parks comes into beingthrough representations in visitor information publications, and what the productiveeffects of those representations are. Through a discursive analysis, we identify seven discursiveformations that concern portrayals of the non-human world. On the one hand,it is represented as extraordinary and sublime pieces of wild and pristine nature—and onthe other, as ordinary and accessible. Despite this divergence, these kinds of spaces functionas national heritage with an elitist status, which creates hierarchizations betweennational parks and other spaces, but also between the national parks themselves. Northand south are assigned different attraction values and portrayed as desirable in differentcontexts. The north is wild, pristine, and sublime, while the south is safe, available, andalways open to tourists. Furthermore, the material generates portrayals of national parksas places for learning, where the non-human world is displayed, explored, experienced,and taught. The uniting force of these formations is the focus of national parks as placesof otherness, which turns them into heterotopian neverlands far away from the mainlandof modernity.

    Ort, förlag, år, upplaga, sidor
    Umeå University and The Royal Skyttean Society, 2020
    Nyckelord
    heterotopia, visual culture, discourse, power, sublime, nature-culture, elitism, exploration arena, visibility, tourism
    Nationell ämneskategori
    Kulturstudier
    Identifikatorer
    urn:nbn:se:liu:diva-171736 (URN)
    Tillgänglig från: 2020-11-30 Skapad: 2020-11-30 Senast uppdaterad: 2021-11-12
    2. Descendants of the modernist museum: tracing the musealisation of Swedish national parks
    Öppna denna publikation i ny flik eller fönster >>Descendants of the modernist museum: tracing the musealisation of Swedish national parks
    2023 (Engelska)Ingår i: Visual Studies, ISSN 1472-586X, E-ISSN 1472-5878, Vol. 38, nr 1, s. 81-100Artikel i tidskrift (Refereegranskat) Published
    Abstract [en]

    Swedish national parks face a shift, transforming them from spaces where tourism is a sub-interest into spaces where tourism is a primary focus. Through the establishment of new instructive installations, the intention is to make these parks Europe’s most popular nature-based tourism destinations. Such installations construct the non-human world, often depicted as nature, and contribute to shaping human understandings of nature. In this article, I seek to trace, make visible, and problematize how knowledge of nature is put to work and how power operates through these installations, but also how the non-human world is produced visually, and how all of this produces specific ways of seeing it. This is enabled by a discourse analysis with visual ethnographic influences, in which I focus on representations with an emphasis on design, content, and posed rationality. The analysis is designed in a reflexive explorative manner, where the empirical context leads the analytical direction while the research process and its steps are presented systematically. Through this analysis, I arguet hat the national parks are transformed into museological organisations similar to the modernist museum, centred around educating visitors by displaying ‘real nature,’ and that this has implications for how the non-human world is understood. The most prominent of these is that a distance is promoted between the tourists and the non-human world.

    Ort, förlag, år, upplaga, sidor
    Taylor & Francis, 2023
    Nationell ämneskategori
    Kulturgeografi
    Identifikatorer
    urn:nbn:se:liu:diva-174619 (URN)10.1080/1472586X.2021.1884501 (DOI)000632823100001 ()
    Tillgänglig från: 2021-03-26 Skapad: 2021-03-26 Senast uppdaterad: 2023-11-21Bibliografiskt granskad
    3. The romantic tourist gaze on Swedish national parks: tracing ways of seeing the non-human world through representations in tourists’ Instagram posts
    Öppna denna publikation i ny flik eller fönster >>The romantic tourist gaze on Swedish national parks: tracing ways of seeing the non-human world through representations in tourists’ Instagram posts
    2021 (Engelska)Ingår i: Tourism Recreation Resarch, ISSN 0250-8281, E-ISSN 2320-0308, s. 1-24Artikel i tidskrift (Refereegranskat) Epub ahead of print
    Abstract [en]

    Tourism in national parks is on the rise and contributes to shaping notions of the non-human world (often depicted as ‘nature’). One country that is currently facing a shift towards an enhanced emphasis on tourism in its national parks is Sweden. This article aims to unravel, illuminate, and problematize ways of seeing the non-human world in tourists’ Instagram posts about Swedish national parks, and also to consider the productive effects these might have on the relationship between humans and the non-human world. In a discursive and visual cultural analysis, representations of the non-human world, how they are situated in historically inherited ways of seeing, and what implications they might have for how humans approach and understand the non-human world are traced and reflected upon. These representations construct ways of seeing the non-human world as a sublime, desolate, and physically challenging treasury of unique character. In this way, a romantic tourist gaze is constructed, which approaches the national parks as isolated enclaves and commodified havens that offer tourists an escape from humanity, grand views, and seclusion. The main implication of this tourist gaze is a sustaining of the approach to the human world and the non-human world as separated.

    Ort, förlag, år, upplaga, sidor
    Routledge, 2021
    Nyckelord
    Visual culture; discourse analysis; nature-based tourism; commodification; nature
    Nationell ämneskategori
    Kulturgeografi
    Identifikatorer
    urn:nbn:se:liu:diva-180943 (URN)10.1080/02508281.2021.1984692 (DOI)000714808800001 ()
    Tillgänglig från: 2021-11-09 Skapad: 2021-11-09 Senast uppdaterad: 2022-04-05
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  • 7.
    Fälton, Emelie
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten.
    The romantic tourist gaze on Swedish national parks: tracing ways of seeing the non-human world through representations in tourists’ Instagram posts2021Ingår i: Tourism Recreation Resarch, ISSN 0250-8281, E-ISSN 2320-0308, s. 1-24Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Tourism in national parks is on the rise and contributes to shaping notions of the non-human world (often depicted as ‘nature’). One country that is currently facing a shift towards an enhanced emphasis on tourism in its national parks is Sweden. This article aims to unravel, illuminate, and problematize ways of seeing the non-human world in tourists’ Instagram posts about Swedish national parks, and also to consider the productive effects these might have on the relationship between humans and the non-human world. In a discursive and visual cultural analysis, representations of the non-human world, how they are situated in historically inherited ways of seeing, and what implications they might have for how humans approach and understand the non-human world are traced and reflected upon. These representations construct ways of seeing the non-human world as a sublime, desolate, and physically challenging treasury of unique character. In this way, a romantic tourist gaze is constructed, which approaches the national parks as isolated enclaves and commodified havens that offer tourists an escape from humanity, grand views, and seclusion. The main implication of this tourist gaze is a sustaining of the approach to the human world and the non-human world as separated.

    Ladda ner fulltext (pdf)
    fulltext
  • 8.
    Fälton, Emelie
    et al.
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten.
    Strömstedt, Isabelle
    Linköpings universitet, Institutionen för kultur och samhälle, Avdelningen för kultur, samhälle, form och medier. Linköpings universitet, Filosofiska fakulteten.
    A Cathartic Journey through Horrific Swedish Nature2020Ingår i: Film International, ISSN 1651-6826, E-ISSN 2040-3801, Vol. 18, nr 4, s. 63-69Artikel i tidskrift (Refereegranskat)
  • 9.
    Fälton, Emelie
    et al.
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten.
    Hedrén, Johan
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten.
    The Neverlands of Nature: Exploring Representations of the Non-Human in Visitor Information Publication Material on Swedish National Parks2020Ingår i: Journal of Northern Studies, ISSN 1654-5915, Vol. 14, nr 1, s. 7-34Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    In this paper, we distinguish, make visible, and problematize how thenon-human world (often depicted as nature) in Swedish national parks comes into beingthrough representations in visitor information publications, and what the productiveeffects of those representations are. Through a discursive analysis, we identify seven discursiveformations that concern portrayals of the non-human world. On the one hand,it is represented as extraordinary and sublime pieces of wild and pristine nature—and onthe other, as ordinary and accessible. Despite this divergence, these kinds of spaces functionas national heritage with an elitist status, which creates hierarchizations betweennational parks and other spaces, but also between the national parks themselves. Northand south are assigned different attraction values and portrayed as desirable in differentcontexts. The north is wild, pristine, and sublime, while the south is safe, available, andalways open to tourists. Furthermore, the material generates portrayals of national parksas places for learning, where the non-human world is displayed, explored, experienced,and taught. The uniting force of these formations is the focus of national parks as placesof otherness, which turns them into heterotopian neverlands far away from the mainlandof modernity.

    Ladda ner fulltext (pdf)
    fulltext
  • 10.
    Fälton, Emelie
    et al.
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten. Linköpings universitet, Centrum för klimatpolitisk forskning, CSPR.
    Hedrén, Johan
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten.
    Welcome to your Finest Nature:: Touristic Discourse on Nature in information Materials about Swedish National Parks2018Konferensbidrag (Övrigt vetenskapligt)
    Abstract [en]

    In this article, we problematize the concept of nature by focusing on how subjects related to nature are constituted through the touristic discourse in the context of national park tourism in Sweden. We are interested in how nature is produced and reproduced, but also what implications those representations can carry with them. Thereby, we seek to distinguish and make visible how nature in Swedish national parks is portrayed, represented, and assigned values in a touristic context. The material consists of pictures and texts from websites and books with a touristic orientation towards national parks. One part is produced by three tourism actors who market or sell travels to the Swedish national parks, while the other part is produced by actors who state themselves as experts in conservation questions. These actors produce and communicate information about the national parks and the nature within them, but they are also carriers of discourses, which makes them potential influencers on the touristic discourse on nature in Swedish national parks. By visual discourse analysis, aspects of power, subjectification, objectification, normalization, naturalization, marginalization as well as internalization and externalization, are put into focus. The analysis was done stepwise to discern analytical themes, guided by the material. The result shows that the touristic discourse on nature contains utopian imaginaries and portrayals of nature in national parks, where nature is understood to be ideal and of a sublime character, where humans are temporary guests. Simultaneously, nature is portrayed as a pedagogical exhibition for tourists to learn from. 

  • 11.
    Fälton, Emelie
    et al.
    Linköpings universitet, Institutionen för tema, Tema Miljöförändring. Linköpings universitet, Filosofiska fakulteten.
    Trygg, Kristina
    Linköpings universitet, Institutionen för tema, Tema teknik och social förändring. Linköpings universitet, Filosofiska fakulteten.
    Matens betydelse för det hållbara resandet2016Ingår i: Geografiska Notiser, ISSN 0016-724X, Vol. 74, nr 1, s. 17-26Artikel i tidskrift (Övrigt vetenskapligt)
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