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A Spatiotemporal Collage Aesthetic: Poets and Poetry in Siri Hustvedt's Memories of the Future
Linköping University, Department of Culture and Society, Division of Language, Culture and Interaction. Linköping University, Faculty of Arts and Sciences.ORCID iD: 0000-0002-1207-5101
2024 (English)In: Journal of Modern Literature, ISSN 0022-281X, E-ISSN 1529-1464, Vol. 47, no 2, p. 82-97Article in journal (Refereed) Published
Abstract [en]

In the structurally and thematically elaborate novel Memories of the Future (2019), Siri Hustvedt foregrounds the relationship between poetry and the novel. Two poets stand out as especially important to matters of plot, theme, and narrative: the modernist avant-garde poet Elsa von Freytag-Loringhoven and the New York School poet John Ashbery. These poets belong to different, but similarly pivotal moments in the evolution of American literature, one being a prescient—now recognized as iconic—modernist and the other an established, leading postmodernist. Despite their many differences, their output within poetry and the arts point to a collage aesthetics that provides a new way of probing the relationship between poetry and prose, as well as to a focus on the Bakhtinian notions of dialogism, polyphony, and voice, which inform the novel's structure and themes.

Place, publisher, year, edition, pages
Indiana University Press, 2024. Vol. 47, no 2, p. 82-97
Keywords [en]
Siri Hustvedt, Memories of the Future, John Ashbery, Elsa von Freytag-Loringhoven, New York School, avant-garde, collage
National Category
General Literature Studies
Identifiers
URN: urn:nbn:se:liu:diva-202195DOI: 10.2979/jml.00020OAI: oai:DiVA.org:liu-202195DiVA, id: diva2:1849001
Available from: 2024-04-05 Created: 2024-04-05 Last updated: 2024-08-01

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Käck, Elin

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