The emergence of P2P technologies has reconfigured the relationship between protest and music by politicizing the modes of music distribution. Protest music has indeed always relied on alternative distribution networks. Still, the ideological significance attributed to open P2P networks and pirate radio channels defines the mode of distribution itself as liberating, regardless of the content that is distributed. If previous music movements have aimed to achieve something outside itself—peace, equality, freedom—then the piracy movement essentially sees the freedom of distribution as a means to its own end. This movement has been countered by a growing range of legal and commercial streaming services controlled by the music industry. At the same time, new technologies have enabled other alternative distribution networks. This chapter discusses the digital radio piracy collective Noisebridge against a long history of media piracy and renegade radio networks to highlight the inherent connection between hacking, piracy, and alternative media distribution.