A life story can be simplistically defined as a story that a person tells about his or her life or chosen parts of that life. Regardless of when a life story is told, the story is also a cultural and social product. We understand and tell our lives in a way that is understandable not only to others, but also to ourselves. Memories and stories are framed and shaped in relation to the concepts, beliefs and stories that exist in our contemporary culture and society. The analysis needs to consider not only the narrative offered, but also the meanings invested in it and their discursive origins. However, when working with previously collected and archived narrative material, it is not only the narrator’s relationship to, and negotiation of, existing discourses that should be considered, but also how the memory institution that initiates, creates and preserves collections of narratives contributes to the shaping of a certain type of life story and understanding of experiences in the past. Thus, the interviewee and the interviewer, but also the archivists and the institution, are emphasised as co-creators of the stories collected and archived in the collection. An important part of the analysis is therefore to listen for what is taken for granted, what is included in the stories, and also for the silences. This article examines how Jewish lives could be narrated during the years 1994–98 in the context of the collecting of Jewish memories at the Nordic Museum in Stockholm. It investigates in what ways the different actors involved in the collecting process – interviewers, interviewees, narrators and the memory institution itself – understood contemporary discourses on Jewishness and the identity categories used, such as religion, gender, class, generation and nation, when Swedishness and Jewishness were constructed in the individual life stories and in the design and archivisation of the collection.